Frogtoon Music

I'm John Lee Hooker (Album) by John Lee Hooker

Artist Biography For John Lee Hooker

John Lee Hooker Coahoma County Mississippi August 22 1917 – Los Altos California June 21 2001 Was A Highly Influential American Blues Singer Guitarist And Songwriter. John Lee Hooker Could Be Said To Embody His Own Unique Genre Of The Blues Often Incorporating The Boogie-Woogie Piano Style And A Driving Rhythm Into His Masterful And Idiosyncratic Blues Guitar And Singing. His Best Known Songs Include "Boogie Chillen" 1948 And "Boom Boom" 1962 . There Is Some Debate As To The Year Of John Lee Hooker's Birth 1915 1917 1920 And 1923 Have All Been Cited 1917 The Date On His Grave Marker In Oakland California Is The One Most Commonly Cited Although Hooker Himself Claimed At Times 1920. Hooker Was The Youngest Of The Eleven Children Of William Hooker 1871–1923 A Sharecropper And A Baptist Preacher And Minnie Ramsey 1875–? . Hooker And His Siblings Were Home-Schooled. They Were Permitted To Listen Only To Religious Songs With His Earliest Musical Exposure Being The Spirituals Sung In Church. In 1921 His Parents Separated. The Next Year His Mother Married William Moore A Blues Singer Who Provided John's First Introduction To The Guitar And Whom John Would Later Credit For His Distinctive Playing Style . The Year After That 1923 John's Natural Father Died And At Age 15 John Ran Away From Home Never To See His Mother And Stepfather Again. He Was A Cousin Of Earl Hooker Throughout The 1930s Hooker Lived In Memphis Where He Worked On Beale Street And Occasionally Performed At House Parties. He Worked In Factories In Various Cities During World War II Drifting Until He Found Himself In Detroit In 1948 Working At Ford Motor Company. He Felt Right At Home Near The Blues Venues And Saloons On Hastings Street The Heart Of Black Entertainment On Detroit's East Side. In A City Noted For Its Piano Players Guitar Players Were Scarce. Performing In Detroit Clubs His Popularity Grew Quickly And Seeking A Louder Instrument Than His Crude Acoustic Guitar He Bought His First Electric Guitar. Though He Stuttered Slightly In His Normal Speech He Performed In A Half-Spoken Style That Became His Trademark. Rhythmically His Music Was Free A Property Common With Early Acoustic Delta Blues Musicians. His Vocal Phrasing Was Less Closely Tied To Specific Bars Than Most Blues Singers'. This Casual Rambling Style Had Been Gradually Diminishing With The Onset Of Electric Blues Bands From Chicago But Even When Not Playing Solo Hooker Retained It In His Sound. Hooker's Recording Career Began In 1948 With The Hit Single "Boogie Chillen" Cut In A Studio Near Wayne State University. Despite Being Illiterate He Was A Prolific Lyricist. In Addition To Adapting The Occasionally Traditional Blues Lyric Such As "if I Was Chief Of Police I Would Run Her Right Out Of Town" He Freely Invented Many Of His Songs From Scratch. Recording Studios In The 50s Rarely Paid Black Musicians More Than A Pittance So Hooker Would Spend The Night Wandering From Studio To Studio Coming Up With New Songs Or Variations On His Songs For Each Studio. Due To His Recording Contract He Would Record These Songs Under Obvious Pseudonyms Such As "John Lee Booker " "Johnny Hooker" Or "John Cooker". His Early Solo Songs Were Recorded Under Bernie Besman.
John Lee Hooker Rarely Played On A Standard Beat Changing Tempo To Fit The Needs Of The Song. This Made It Nearly Impossible To Add Backing Tracks. As A Result Besman Would Record Hooker In Addition To Playing Guitar And Singing Stomping Along With The Music On A Wooden Palette. John Lee Hooker's Guitar Playing Is Closely Aligned With Piano Boogie Woogie. He Would Play The Walking Bass Pattern With His Thumb Stopping To Emphasize The End Of A Line With A Series Of Trills Done By Rapid Hammer-Ons And Pull-Offs. The Songs That Most Epitomize His Early Sound Are "Boogie Chillen " About Being 17 And Wanting To Go Out To Dance At The Boogie Clubs "Baby Please Don't Go " A More Typical Blues Song Summed Up By Its Title And "Tupelo " A Stunningly Sad Song About The Flooding Of Tupelo Mississippi. He Maintained A Solo Career Popular With Blues And Folk Music Fans Of The Early 1960s And Crossed Over To White Audiences Giving An Early Opportunity To The Young Bob Dylan. As He Got Older He Added More And More People To His Band Changing His Live Show From Simply Hooker With His Guitar To A Large Band With Hooker Singing. In 1989 He Joined With A Number Of Musicians Including Keith Richards And Carlos Santana To Record The Healer Which Won A Grammy Award — One Of Many Awards. He Fell Ill Just Before A Tour Of Europe In 2001 And Died Soon Afterwards At The Age Of 83. Hooker Recorded Over 100 Albums And Lived The Last Years Of His Life In San Francisco California Where He Licensed A Nightclub To Use The Name Boom Boom Room After One Of His Hits. Among His Many Awards John Lee Hooker Has A Star On The Hollywood Walk Of Fame. In 1991 He Was Inducted Into The Rock And Roll Hall Of Fame. Two Of His Songs "Boogie Chillen" And "Boom Boom" Were Named To The List Of The Rock And Roll Hall Of Fame's 500 Songs That Shaped Rock And Roll. John Lee Recorded Several Songs With Van Morrison Including "Never Get Out Of These Blues Alive" "The Healing Game" And "I Cover The Waterfront". He Also Appeared On Stage With Van Morrison Several Times Some Of Which Was Released On The Live Album "A Night In San Francisco". John Lee Also Recorded In The Sixties With British Blues Band The Groundhogs. These Recordings Are Still Available As A CD "John Lee Hooker With The Groundhogs". More Importantly Hooker Recorded With The Blues-Rock Outfit Canned Heat Delivering The Album 'Hooker N' Heat' In 1971. Hooker Was Influential And Topical Even In His Lifetime As Evidenced In The MC5 Cover Of "Motor City's Burning" On Their First Album Recorded Almost Immediately After The Riots Which Are The Song's Topic.

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Frogtoon Music Album Info: I'm John Lee Hooker

Recorded October 19 1955 - January 1959 Winding Through The Literally Hundreds Of Titles In John Lee Hooker's Catalog Is A Daunting Task For Even The Most Seasoned And Learned Blues Connoisseur. This Is Especially True When Considering Hooker Recorded Under More Than A Dozen Aliases For As Many Labels During The Late '40s '50s And Early '60s. I'm John Lee Hooker Was First Issued In 1959 During His Tenure With Vee Jay And Is "the Hook" In His Element As Well As Prime. Although Many Of These Titles Were Initially Cut For Los Angeles-Based Modern Records In The Early '50s The Recordings Heard Here Are Said To Best Reflect Hooker's Often-Emulated Straight-Ahead Primitive Detroit And Chicago Blues Styles. The Sessions Comprising The Original 12-Track Album -- As Well As The Four Bonus Tracks On The 1998 Charly CD Reissue -- Are Taken From Six Sessions Spread Over The Course Of Four Years 1955-1959 . Hooker Works Both Solo -- Accompanied Only By His Own Percussive Guitar And The Solid Backbeat Of His Foot Rhythmically Pulsating Against Plywood -- As Well As In Several Different Small-Combo Settings. Unlike The Diluted Pop-Oriented Blues That First Came To Prominence In The Wake Of The British Invasion Of The Early To Mid-'60s The Music On This Album Is Infinitely More Authentic In Presentation. As The Track List Indicates I'm John Lee Hooker Includes Many Of His Best-Known And Loved Works. From Right Out Of The Gate Comes The Guttural Ramble-Tamble Of "Dimples" In Its Best-Known Form. Indeed It Can Be Directly Traced To -- And Is Likewise Acknowledged By -- Notable Purveyors Of Brit Rock Such As Eric Burdon -- Who Incorporated It Into The Earliest Incarnation Of The Animals The Spencer Davis Group As Well As The Decidedly More Roots-Influenced Duane Allman. Another Of Hooker's Widely Covered Signature Tunes Featured On This Volume Is "Boogie Chillun." This Rendering Is Arguably The Most Recognizable In The Plethora Of Versions That Have Seemingly Appeared On Every Hooker-Related Compilation Available. Additionally This Version Was Prominently Featured In The Blues Brothers Movie As Well As Countless Other Films And Adverts. Likewise A Seminal Solo "Crawlin' King Snake" Is Included Here. The Tune Became Not Only A Staple Of Hooker's It Was Also Prominently Included On The Doors' L.A. Woman Album And Covered By Notable Bluesmen Albert King B.B. King And Big Joe Williams Whose Version Predates This One By Several Decades. I'm John Lee Hooker Is One Of The Great Blues Collections Of The Post-World War II Era. Time Has If Anything Only Reinforced The Significance Of The Album. It Belongs In Every Blues Enthusiast's Collection Without Reservation.