Frogtoon Music

Pomp And Circumstance March No. I by Sir Edward Elgar

Artist Biography For Sir Edward Elgar

Edward William Elgar 1st Baronet OM GCVO 2 June 1857 – 23 February 1934 Was An English Romantic Composer. Several Of His First Major Orchestral Works Including The Enigma Variations And The Pomp And Circumstance Marches Were Greeted With Acclaim. He Also Composed Oratorios Chamber Music Symphonies And Instrumental Concertos. He Was Knighted At Buckingham Palace On 5 July 1904 And Appointed Master Of The King's Music In 1924. Edward Elgar Was Born In The Small Village Of Lower Broadheath Outside Worcester To William Elgar A Piano Tuner And Music Dealer And His Wife Anne Née Greening . He Was The Fourth Of Seven Children. His Mother Anne Had Converted To Catholicism Shortly Before Edward's Birth So Edward Was Baptised And Brought Up As A Roman Catholic. Elgar Was An Early Riser And Would Often Turn To Reading Voltaire Drayton Historical Classics Longfellow And Other Works Encouraged By His Mother. By The Age Of Eight He Was Taking Piano And Violin Lessons And Would Often Listen To His Father Playing Organ At St. George's Church And Soon Took It Up Also. His Prime Interest However Was The Violin And His First Written Music Was For That Instrument. Surrounded By Sheet Music Instruments And Music Textbooks In His Father's Shop In Worcester's High Street The Young Elgar Became Self-Taught In Music Theory. On Warm Summer Days He Would Take Manuscripts Into The Countryside To Study Them He Was A Passionate And Adventurous Early Cyclist From The Age Of 5 . Thus There Began For Him A Strong Association Between Music And Nature. As He Was Later To Say "There Is Music In The Air Music All Around Us The World Is Full Of It And You Simply Take As Much As You Require." At The Age Of 15 Elgar Had Hoped To Go To Leipzig Germany To Study Music But Lacking The Funds He Instead Left School And Began Working For A Local Solicitor. Around This Time He Made His First Public Appearances As A Violinist And Organist. After A Few Months He Left The Solicitor And Embarked On A Musical Career Giving Piano And Violin Lessons And Working Occasionally In His Father's Shop. Elgar Was An Active Member Of The Worcester Glee Club Along With His Father And He Accompanied Singers Played Violin Composed And Arranged Works And Even Conducted For The First Time. At 22 He Took Up The Post Of Bandmaster At The Worcester And County Lunatic Asylum In Powick Three Miles South-West Of Worcester A Progressive Institution Which Believed In The Recuperative Powers Of Music. He Composed Here Too Some Of The Pieces For The Asylum Orchestra Music In Dance Forms Were Rediscovered And Performed Locally In 1996. In Many Ways His Years As A Young Worcestershire Violinist Were His Happiest. He Played In The First Violins At The Worcester And Birmingham Festivals And One Great Experience Was To Play Antonín Dvořák's Symphony No. 6 And Stabat Mater Under The Composer's Baton. As Part Of A Wind Quintet And For His Musical Friends He Arranged Dozens Of Pieces By Mozart Beethoven Haydn And Other Masters Honing His Arranging And Compositional Skills And Applying Them To His Earliest Pieces. Although Somewhat Solitary And Introspective By Nature Elgar Thrived In Worcester's Musical Circles. In His First Trips Abroad In 1880-2 Elgar Visited Paris And Leipzig Attended Concerts By First Rate Orchestras And Was Exposed To Wagnerism Then The Rage. Returning To His More Provincial Milieu Increased His Desire For A Wider Fame. He Often Went To London In An Attempt To Get His Works Published But This Period In His Life Found Him Frequently Despondent And Low On Money. He Wrote To A Friend In April 1884 "My Prospects Are About As Hopeless As Ever...I Am Not Wanting In Energy I Think So Sometimes I Conclude That 'tis Want Of Ability...I Have No Money--Not A Cent." At 29 Through His Teaching He Met Caroline Alice Roberts Daughter Of The Late Major-General Sir Henry Roberts And A Published Author Of Verse And Prose Fiction. Eight Years Older Than Elgar She Became His Wife Three Years Later Against The Wishes Of Her Family. Her Faith In Him And Her Courage In Marrying 'beneath Her Class' Were Strongly Supportive To His Career. She Dealt With His Mood Swings And Was A Generous Musical Critic. Alice Was Also His Business Manager And Social Secretary. She Did Her Best To Gain Him The Attention Of Influential Society Though With Limited Success. In Time He Would Learn To Accept The Honours Given Him Realizing That They Mattered More To Her And Her Social Class. She Also Gave Up Some Of Her Personal Aspirations To Further His Career. In Her Diary She Later Admitted "The Care Of A Genius Is Enough Of A Life Work For Any Woman." As An Engagement Present Elgar Presented Her With The Short Violin And Piano Piece Salut D'amour. With Alice's Encouragement The Elgars Moved To London To Be Closer To The Centre Of British Musical Life And Edward Started Composing In Earnest. The Stay Was Unsuccessful However And They Were Obliged To Return To Great Malvern Where Edward Could Earn A Living Teaching And Conducting Local Musical Ensembles. Though Disappointed At The London Episode The Return To The Country Proved Better For Elgar's Health And As A Base Of Musical Inspiration Bringing Him Closer To Nature And To His Friends. During The 1890s Elgar Gradually Built Up A Reputation As A Composer Chiefly Of Works For The Great Choral Festivals Of The Midlands. The Black Knight And King Olaf 1896 Both Inspired By Longfellow The Light Of Life And Caractacus Were All Modestly Successful And He Obtained A Long-Standing Publisher In Novello And Company. He Also Generously Recommended The Young Composer Samuel Coleridge-Taylor To The Three Choirs Festival For A Concert Piece Which Helped Establish The Younger Man's Career. Elgar Was Catching The Eyes Of The Prominent Critics Although Their Reviews Were Still Lukewarm And He Was In Demand As A Festival Composer But He Was Just Getting By Financially And Not Feeling Appreciated The Way He Wanted To Be. In 1898 He Continued To Be "very Sick At Heart Over Music" And Hoped To Find A Way To Succeed With A Larger Work. His Friend Jaeger Tried To Lift His Spirits "A Day's Attack Of The Blues...Will Not Drive Away Your Desire Your Necessity Which Is To Exercise Those Creative Faculties Which A Kind Providence Has Given You. Your Time Of Universal Recognition Will Come." In 1899 That Prediction Suddenly Came True. At The Age Of 42 Elgar's Produced His First Major Orchestral Work The Enigma Variations Which Was Premièred In London Under The Baton Of The Eminent German Conductor Hans Richter. In Elgar's Own Words "I Have Sketched A Set Of Variations On An Original Theme. The Variations Have Amused Me Because I've Labelled Them With The Nicknames Of My Particular Friends...That Is To Say I've Written The Variations Each One To Represent The Mood Of The 'party' The Person ... And Have Written What I Think They Would Have Written--If They Were Asses Enough To Compose". Elgar Dedicated The Work "To My Friends Pictured Within". The Large-Scale Work Was Received With General Acclaim Heralded For Its Originality Charm And Fine Craftsmanship And It Established Elgar As The Pre-Eminent British Composer Of His Generation. It Is Formally Titled Variations On An Original Theme The Word "Enigma" Appears Over The First Six Measures Of Music Which Led To The Familiar Version Of The Title. The Enigma Is That Although There Are Fourteen Variations On The "original Theme" The 'enigma' Theme Which Elgar Said 'runs Through And Over The Whole Set' Is Never Heard. Many Later Commentators Have Observed That Although Elgar Is Today Regarded As A Characteristically English Composer His Orchestral Music And This Work In Particular Share Much With The Central European Tradition Typified At The Time By The Work Of Richard Strauss. Indeed The Enigma Variations Were Well-Received In Germany And Persist To This Day As A World-Wide Concert Favourite. The Following Year Saw The Production At The Birmingham Triennial Music Festival Of His Choral Setting Of Cardinal Newman's Poem The Dream Of Gerontius. Despite A Disastrous First Performance Due To Poorly-Prepared Performers The German Première Was Much Better Received And The Work Was Established Within A Few Years As One Of Elgar's Greatest. It Is Now Regarded As One Of The Finest Examples Of English Choral Music From Any Era. Elgar Is Probably Best Known For The Five Pomp And Circumstance Marches Composed Between 1901 And 1930. Shortly After He Composed The First March Elgar Set The Trio Melody To Words By A. C. Benson As A Coronation Ode To Mark The Coronation Of King Edward VII. The Suggestion Had Already Been Made Allegedly By The Future King Himself That Words Should Be Fitted To The Broad Tune Which Formed The Trio Section Of This March. Against The Advice Of His Friends Elgar Suggested That Benson Furnish Further Words To Allow Him To Include It In The New Work. The Result Was Land Of Hope And Glory Which Formed The Finale Of The Ode And Was Also Issued With Slightly Different Words As A Separate Song. The Work Was Immensely Popular And Became A Second National Anthem. At Last He Had Made The Leap From Accomplished Back-Country Musician To England's Foremost Composer. It Also Gained Elgar The Highest Recognition He Could Have Dreamed Of--Honorary Degrees A Knighthood Special Royal Audiences And A Triumphal Three-Day Festival Of His Music At Covent Garden Attended By The King And Queen. Between 1902 And 1914 Elgar Enjoyed Phenomenal Success Made Four Visits To The USA Including One Conducting Tour And Earned Considerable Fees From The Performance Of His Music. Between 1905 And 1908 Elgar Held The Post Of Professor Of Music At The University Of Birmingham. His Lectures There Caused Controversy Owing To Remarks He Made About Other English Composers And English Music In General He Was Quoted As Saying "English Music Is White - It Evades Everything". The University Of Birmingham's Special Collections Contain An Archive Of Letters Written By Elgar. His New Life As A Celebrity Was A Mixed Blessing As It Often Provoked Ill-Health From His High-Strung Nature And Interrupted His Privacy. He Complained To Jaeger In 1903 "My Life Is One Continual Giving Up Of Little Things Which I Love." Elgar's Symphony No. 1 1908 Was Given One Hundred Performances In Its First Year The Violin Concerto 1910 Was Commissioned By The World-Renowned Violinist Fritz Kreisler And In 1911 The Year Of The Completion Of His Symphony No. 2 He Had The Order Of Merit Bestowed Upon Him. In 1912 He Moved Back To London Again To Be Closer To Musical Society But To The Detriment Of His Love Of The Countryside And To His General Mood. Elgar's Musical Legacy Is Primarily Orchestral And Choral But He Did Write For Soloists And Smaller Instrumental Groups. His One Work For Brass Band The Severn Suite Later Arranged By The Composer For Orchestra Remains An Important Part Of The Brass Band Repertoire. This Work Was Dedicated To His Friend George Bernard Shaw. It Is Occasionally Performed In Its Arrangement By Sir Ivor Atkins For Organ As The Composer's Second Organ Sonata Elgar's First Much Earlier 1895 Organ Sonata Was Written Specifically For The Instrument In A Highly Orchestral Style And Remains A Cornerstone Of The English Romantic Organ Repertoire. During World War I His Music Began To Fall Out Of Fashion. The War Was Overturning His World And His Time. He Himself Grew To Hate His 'Pomp And Circumstance' March No.1 With Its Popular 'Land Of Hope And Glory' Tune Which He Felt Had Been Made Into A Jingoistic Song Not In Keeping With The Tragic Loss Of Life In The War. This Was Captured In The Film Elgar By Ken Russell. After The Death Of His Wife In 1920 Loneliness And Declining Interest In His Art Fostered Little In The Way Of New Works Of Importance. Shortly Before Her Death He Composed The Elegiac Cello Concerto Often Described As His Last Masterpiece. Elgar Lived In The Village Of Kempsey From 1923 To 1927 During Which Time He Was Made Master Of The King's Musick. He Was The First Composer To Make Extensive Recordings Of His Own Compositions. HMV His Master's Voice Recorded Much Of His Music Acoustically From 1914 Onwards And Then Began A Series Of Electrical Recordings In 1926 That Continued Until 1933 Including His "Enigma Variations " "Falstaff " The First And Second Symphonies His Cello And Violin Concertos All Of The "Pomp And Circumstance" Marches And Other Orchestral Works. Part Of A 1927 Rehearsal Of The Second Symphony With The London Symphony Orchestra Was Also Recorded And Later Issued. Elgar's Recordings Of His Violin Concerto And The Enigma Variations Have Been Reissued On CD By EMIIn November 1931 Elgar Was Filmed By Pathe For A Newsreel Depicting A Recording Session Of Pomp And Circumstance March No. 1 At The Opening Of The Famous Abbey Road Studios In London. It Is Believed To Be The Only Surviving Sound Film Of Elgar Who Makes A Brief Remark Before Conducting The London Symphony Orchestra Asking The Musicians To "play This Like You've Never Played It Before." Silent Films Of The Composer Have Also Survived. Citation Needed In The 1932 Recording Of The Violin Concerto The Ageing Composer Worked With The American Violinist Yehudi Menuhin Who Was Then Only 16 Years Old They Worked Well Together And Menuhin Warmly Recalled His Association With The Composer Years Later When He Performed The Concerto With The San Francisco Symphony Orchestra. Menuhin Later Conducted An Award-Winning Recording Of Elgar's Cello Concerto With The Cellist Julian Lloyd Webber And Much Of The Major Orchestral Music. Elgar's Recordings Usually Featured Such Orchestras As The London Symphony Orchestra The Royal Albert Hall Orchestra Which Reverted In 1928 To Its Earlier Name New Symphony Orchestra And In 1933 The Newly-Founded London Philharmonic Orchestra. Elgar's Recordings Were Released On 78-Rpm Discs By Both HMV And RCA Victor. In Later Years EMI Reissued The Recordings On LP And CD. In His Later Years Elgar Befriended Young Conductors Such As Adrian Boult And Malcolm Sargent Who Championed His Music When It Was Out Of Fashion. At The End Of His Life Elgar Began Work On An Opera The Spanish Lady And Accepted A Commission From The BBC To Compose A Third Symphony. His Final Illness Prevented Their Completion. He Died On 23 February 1934 And Is Buried At St. Wulstan's Church In Little Malvern. Within Four Months Two More Great English Composers - Gustav Holst And Frederick Delius - Were Also Dead. Works Orchestral Froissart Overture For Orchestra Op.19 1890 Serenade For String Orchestra Op.20 Revised Version Of Three Pieces For String Orchestra 1888-92 Sursum Corda For Brass Organ And Strings Op.11 1894 Three Bavarian Dances For Orchestra Op.27 1897 Variations On An Original Theme Enigma For Orchestra Op.36 1899 Sea Pictures Song Cycle For Contralto And Orchestra Op.37 1897-99 Chanson De Matin And Chanson De Nuit For Small Orchestra Arrangement Of The Salon Pieces For Violin And Piano Op.15 1899 Cockaigne In London Town Overture For Orchestra Op.40 1900-01 Pomp And Circumstance Marches No.1 And 2 For Orchestra Op.39 1901 Funeral March From Grania And Diarmid For Orchestra Op.42 1902 From The Incidental Music To The Play By W.B. Yeats Dream Children Two Pieces For Chamber Orchestra Op.43 1902 In The South Alassio Concert Overture For Orchestra Op.50 1903-04 Pomp And Circumstance March No.3 For Orchestra 1904 Introduction And Allegro For String Quartet And String Orchestra Op.47 1904-05 Pomp And Circumstance March No.4 For Orchestra 1907 The Wand Of Youth Suite No. 1 For Orchestra Op.1a 1867-71 Rev. 1907 The Wand Of Youth Suite No. 2 For Orchestra Op.1b 1867-71 Rev. 1908 Symphony No.1 In A Flat For Orchestra Op.55 1907-08 Elegy For String Orchestra Op.58 1909 Romance For Bassoon And Orchestra Op.62 1909 Concerto For Violin And Orchestra In B Minor Op.61 1909-10 Symphony No.2 In E Flat For Orchestra Op.63 1909-11 Coronation March For Orchestra Op.65 1911 The Crown Of India Suite For Orchestra Op.66 1911-12 Falstaff Symphonic Study For Orchestra Op.68 1913 Sospiri For String Orchestra And Harp Op.70 1914 Polonia Symphonic Prelude For Orchestra Op.76 1915 The Starlight Express Suite For Vocal Soloists And Orchestra Op.78 From The Incidental Music To The Play By Algernon Blackwood 1915-16 The Sanguine Fan For Orchestra Op.81 1917 Concerto For Cello And Orchestra In E Minor Op.85 1918-19 Empire March For Orchestra 1924 Suite From Arthur For Chamber Orchestra From The Incidental Music To Laurence Binyon's Arthur 1924 Minuet From Beau Brummel For Orchestra 1928-29 Pomp And Circumstance March No.5 For Orchestra 1930 Nursery Suite For Orchestra 1931 Severn Suite Op. 87 For Brass Band 1930 Or Orchestra 1932 Mina For Chamber Orchestra 1933 Symphony No 3 For Orchestra Op.88 Sketches 1932-34 Elaborated By Anthony Payne 1972-97 Piano Concerto Op.90 Sketches 1909-25 Elaborated By Robert Walker Pomp And Circumstance March No.6 For Orchestra Cantatas And Oratorios The Black Knight Symphony/Cantata For Chorus And Orchestra Op.25 1889-92 From The Bavarian Highlands For Chorus And Orchestra Op.27 1895-96 The Light Of Life Lux Christi Oratorio For Soloists Chorus And Orchestra Op.29 1896 Scenes From The Saga Of King Olaf Cantata For Soloists Chorus And Orchestra Op. 30 1896 The Banner Of St George Ballad For Chorus And Orchestra Op.33 1897 Te Deum & Benedictus For Chorus And Orchestra Op.34 1897 Caractacus Cantata For Soloists Chorus And Orchestra Op.35 1897-98 The Dream Of Gerontius Oratorio For Soloists Chorus And Orchestra Op.38 1899-1900 Coronation Ode For Soloists Chorus And Orchestra Op.44 1901-02 Rev. 1911 The Apostles Oratorio For Soloists Chorus And Orchestra Op.49 1902-03 The Kingdom Oratorio For Soloists Chorus And Orchestra Op.51 1901-06 The Crown Of India Imperial Masque For Soloists Chorus And Orchestra Op.66 1911-12 The Music Makers Ode For Soloists Chorus And Orchestra Op.69 1912 The Spirit Of England For Soprano/tenor Chorus And Orchestra Op.80 1915-17 The Smoking Cantata For Baritone Soloist And Orchestra. Written In 1919 This Piece Was Probably Never Intended To Be Performed And Was Given The Absurd Opus Number Of 1001. Its Duration Is Less Than A Minute. Songs "Is She Not Passing Fair?" Text By Charles Duke Of Orleans Translated By Louis Stuart Costello. 1908 From Sibley Music Library Digital Scores Collection Chamber Music Salut D'Amour Liebesgruss For Violin And Piano Op.12 1888 Sonata For Violin And Piano Op.82 1918 String Quartet In E Minor Op.83 1918 Piano Quintet In A Minor Op.84 1918-19 Soliloquy For Solo Oboe 1930 Solo Piano Concert Allegro 1901 Skizze 1903 In Smyrna 1905 Adieu Pub. 1932 Organ
Sonata In G Major Op. 28 "Second Organ Sonata" Op. 87a An Arrangement By Ivor Atkins Of The Severn Suite

45 Similar Tracks:

HOME SIR EDWARD ELGAR
POPULAR TRACKS MIXES ALBUMS
Video 1 : 50