We Have Explosive - Music
We Have Explosive by The Future Sound Of London
The Future Sound Of London
Artist Biography For The Future Sound Of London
The Future Sound Of London Often Abbreviated To FSOL Is A British Experimental Electronic Music Duo Formed In 1988 In Manchester United Kingdom And Made Up By Garry Cobain And Brian Dougans. Their Music Style Covers Most Areas Of Electronic Music Such As Techno Drum And Bass House Trip-Hop Ambient Dub And Often Incorporates Elements Of Jazz Classical And Psychedelic Rock. In Addition To Music Composition They Are Involved In 2D And 3D Computer Graphics Video Animation In Making Almost All Their Own Videos For Their Singles Radio Broadcasting And Creating Their Own Electronic Devices For Sound Making. They Are Mostly Known For The Ambient-Dub Single "Papua New Guinea" And The Innovative Ambient Album Lifeforms. They Have Released Works Under Numerous Aliases Like The Future Sound Of London Main Moniker Amorphous Androgynous Yage Humanoid Amorphous Androgynous Mental Cube Q Zeebox Heads Of Agreement Semtex The Far-Out Son Of Lung Part-Sub-Merged Art Science Technology And Many More. Garry Cobain And Brian Dougans Met In The Mid 80s While Studying Electronics At University In Manchester England. Dougans Had Already Been Making Electronic Music For Some Time Working Between Glasgow And Manchester When They First Began Working In Various Local Clubs. In 1988 Dougans Embarked On A Project For The Stakker Graphics Company. The Result Was The Club Hit "Stakker Humanoid" Issued Under Humanoid Alias. In The Following Three Years The Pair Produced Music Under A Variety Of Aliases Releasing A Plethora Of Singles And EPs Including The Successful Bleep Techno Singles "Q" And "Metropolis". The Band Achieved Commercial Success In 1991 With The Seminal Breakthrough Ambient-Dub Track "Papua New Guinea" Featuring A Looping Lisa Gerrard Of Dead Can Dance Vocal Sample And A Bassline From Meat Beat Manifesto's "Radio Babylon". Other Singles Issued Include Cascade Expander Lifeforms EP The Far-Out Son Of Lung And The Ramblings Of A Madman My Kingdom We Have Explosive Stakker Humanoid 2001 Papua New Guinea 2001 Papua New Guinea Translations. FSOL's Main Studio Albums Are The Techno-Influenced Accelerator 1991 The Jazz-Influenced ISDN 1994 The Ambiental Lifeforms 1994 The Experimental Dead Cities 1996 And The Ambient Tetralogy Environments 2007 Environments II 2008 Environments 3 2010 Environments 4 2012 . They Released In 2006 A Best Of Album Entitled Teachings From The Electronic Brain Followed By A Series Of Compilations With Pieces Recorded In The 90s Like From The Archives Vol.1 2007 From The Archives Vol.2 2007 From The Archives Vol.3 2007 From The Archives Vol.4 2008 From The Archives Vol.5 2008 From The Archives Vol.6 2010 . Under The Moniker Amorphous Androgynous Cobain And Dougans Released The Highly Experimental Tales Of Ephidrina 1993 And The Psychedelic Rock Influenced Albums The Isness As FSOL In USA 2002 Alice In Ultraland 2005 The Peppermint Tree And Seeds Of Superconsciousness 2008 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 1 2008 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 2 2009 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 3 2010 . The Pair Also Grew In Repute As Remixers Obliterating Tracks By Curve The Shamen Robert Fripp/David Sylvian Oasis Massive Attack Jon Anderson Apollo 440 And Rebuilding Pieces Of Almost Majestic Complexity With The Remnants. FSOL Collaborated With Robert Fripp On "Flak" With Talvin Singh On "Life Form Ends" With Toni Halliday Of Curve On "Cerebral" With Elizabeth Fraser Of Cocteau Twins On The Single Version Of "Lifeforms". Official Site Http //www.Futuresoundoflondon.Com
Frogtoon Music - Song Info: We Have Explosive
The-Future-Sound-Of-London - Dead Cities
We Have Explosive The Third Track On The Future Sound Of London's 1996 Album Dead Cities It Is A Digitized Mix Of Big Beat Drums Mono-Tone Basslines Aggressive Guitar Stabs Robotic Voices And Clinical Electric Beeps. The Successful Standout Track From The Dead Cities LP And Subsequent We Have Explosive Singles Was As With Other FSOL Singles Released With A Plethora Of Remixed Versions Of It. It Is A Harder More Techno-Oriented Song Which Is Rare For The Band The Track Became Well Known To Many After Being Featured In The 1996 Hit Video Game Wipeout 2097. The Song Is The First Track On The Soundtrack Remixes Of It Were Also Featured On The Other Versions Of The Soundtrack It Was Used In The Intro Sequence Menu Screen And In-Game. The Track Was Also Used In A 1996 Guinness Advert. Crew & Notes
Engineer - Yage Producer Written-By - Future Sound Of London The Samples Of Guitar Stab Wah Guitar And Vocal Yell From Among Other Things Run DMC LP Tougher Than Leather.
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Biography - The Future Sound Of London
The Future Sound Of London Often Abbreviated To FSOL Is A British Experimental Electronic Music Duo Formed In 1988 In Manchester United Kingdom And Made Up By Garry Cobain And Brian Dougans. Their Music Style Covers Most Areas Of Electronic Music Such As Techno Drum And Bass House Trip-Hop Ambient Dub And Often Incorporates Elements Of Jazz Classical And Psychedelic Rock. In Addition To Music Composition They Are Involved In 2D And 3D Computer Graphics Video Animation In Making Almost All Their Own Videos For Their Singles Radio Broadcasting And Creating Their Own Electronic Devices For Sound Making. They Are Mostly Known For The Ambient-Dub Single "Papua New Guinea" And The Innovative Ambient Album Lifeforms. They Have Released Works Under Numerous Aliases Like The Future Sound Of London Main Moniker Amorphous Androgynous Yage Humanoid Amorphous Androgynous Mental Cube Q Zeebox Heads Of Agreement Semtex The Far-Out Son Of Lung Part-Sub-Merged Art Science Technology And Many More. Garry Cobain And Brian Dougans Met In The Mid 80s While Studying Electronics At University In Manchester England. Dougans Had Already Been Making Electronic Music For Some Time Working Between Glasgow And Manchester When They First Began Working In Various Local Clubs. In 1988 Dougans Embarked On A Project For The Stakker Graphics Company. The Result Was The Club Hit "Stakker Humanoid" Issued Under Humanoid Alias. In The Following Three Years The Pair Produced Music Under A Variety Of Aliases Releasing A Plethora Of Singles And EPs Including The Successful Bleep Techno Singles "Q" And "Metropolis". The Band Achieved Commercial Success In 1991 With The Seminal Breakthrough Ambient-Dub Track "Papua New Guinea" Featuring A Looping Lisa Gerrard Of Dead Can Dance Vocal Sample And A Bassline From Meat Beat Manifesto's "Radio Babylon". Other Singles Issued Include Cascade Expander Lifeforms EP The Far-Out Son Of Lung And The Ramblings Of A Madman My Kingdom We Have Explosive Stakker Humanoid 2001 Papua New Guinea 2001 Papua New Guinea Translations. FSOL's Main Studio Albums Are The Techno-Influenced Accelerator 1991 The Jazz-Influenced ISDN 1994 The Ambiental Lifeforms 1994 The Experimental Dead Cities 1996 And The Ambient Tetralogy Environments 2007 Environments II 2008 Environments 3 2010 Environments 4 2012 . They Released In 2006 A Best Of Album Entitled Teachings From The Electronic Brain Followed By A Series Of Compilations With Pieces Recorded In The 90s Like From The Archives Vol.1 2007 From The Archives Vol.2 2007 From The Archives Vol.3 2007 From The Archives Vol.4 2008 From The Archives Vol.5 2008 From The Archives Vol.6 2010 . Under The Moniker Amorphous Androgynous Cobain And Dougans Released The Highly Experimental Tales Of Ephidrina 1993 And The Psychedelic Rock Influenced Albums The Isness As FSOL In USA 2002 Alice In Ultraland 2005 The Peppermint Tree And Seeds Of Superconsciousness 2008 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 1 2008 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 2 2009 A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 3 2010 . The Pair Also Grew In Repute As Remixers Obliterating Tracks By Curve The Shamen Robert Fripp/David Sylvian Oasis Massive Attack Jon Anderson Apollo 440 And Rebuilding Pieces Of Almost Majestic Complexity With The Remnants. FSOL Collaborated With Robert Fripp On "Flak" With Talvin Singh On "Life Form Ends" With Toni Halliday Of Curve On "Cerebral" With Elizabeth Fraser Of Cocteau Twins On The Single Version Of "Lifeforms". Official Site Http //www.Futuresoundoflondon.Com
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Amorphous Androgynous The Orb Orbital The Black Dog The Higher Intelligence Agency System 7 Global Communication Plaid Biosphere B12 Banco De Gaia Bola Leftfield LFO Polygon Window Μ-Ziq.
We Have Explosive the third track on The Future Sound of London's 1996 album Dead Cities; it is a digitized mix of big beat drums, mono-tone basslines, aggressive guitar stabs, robotic voices and clinical electric beeps.
The successful standout track from the Dead Cities LP and subsequent We Have Explosive singles was, as with other FSOL singles, released with a plethora of remixed versions of it. It is a harder, more techno-oriented song, which is rare for the band; the track became well known to many after being featured in the 1996 hit video game Wipeout 2097. The song is the first track on the soundtrack, remixes of it were also featured on the other versions of the soundtrack; it was used in the intro sequence, menu screen and in-game.
The track was also used in a 1996 Guinness advert.
Crew & Notes
Engineer - Yage
Producer, Written-By - Future Sound Of London, The
Samples of Guitar stab, wah guitar and vocal yell from, among other things, Run DMC LP Tougher Than Leather. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.