1) James Chance alias James White, a veteran of New York's avant-garde no wave scene, recast his seminal band the Contortions as a parody of a soul band, albeit one incorporating the rhythms of disco and funk rather than R&B. Thus, Chance became James White (as a nod to James Brown), the Contortions became the Blacks, and his music, previously a twisted, experimental brand of avant-jazz, became a disco/funk/free jazz hybrid. As bizarre as the fusion of Albert Ayler and Giorgio Moroder might soun...
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1) James Chance alias James White, a veteran of New York's avant-garde no wave scene, recast his seminal band the Contortions as a parody of a soul band, albeit one incorporating the rhythms of disco and funk rather than R&B. Thus, Chance became James White (as a nod to James Brown), the Contortions became the Blacks, and his music, previously a twisted, experimental brand of avant-jazz, became a disco/funk/free jazz hybrid. As bizarre as the fusion of Albert Ayler and Giorgio Moroder might sound. 2) Canadian born James White is a professor of molecular biology at the University of Ontario and composer in his spare time and former member of "Die Roboter". Not to be confused with the NYC no-wave/punk-funk artist James White (2) (aka James Chance).
