Kane Ikin is an experimental musician from Melbourne. His music – equal parts narcotic and kinetic – conjures industrial landscapes in crystalline definition, creating a cinematic experience for the mind akin to a modern-day Blade Runner or Akira soundtrack. Concussive rhythms surround a glistening soundstage of diaphanous bass and thistly hi-end, so precisely balanced in the mix you could practically lean in and it would support your weight.
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Kane Ikin is an experimental musician from Melbourne. His music – equal parts narcotic and kinetic – conjures industrial landscapes in crystalline definition, creating a cinematic experience for the mind akin to a modern-day Blade Runner or Akira soundtrack. Concussive rhythms surround a glistening soundstage of diaphanous bass and thistly hi-end, so precisely balanced in the mix you could practically lean in and it would support your weight. Kane has delivered three new works in 2016 – the tense and atmospheric “Modern Pressure” (Type Recordings), its experimental dancefloor-minded companion “Basalt Crush” (Latency Recordings) and the narcotic and kinetic "Sensory Memory" (Echovolt Records) All receiving high acclaim from Boomkat, Bleep and Juno+
