Krink’s sets and productions are intricate, well planned and well executed. They make people dance and clearly represent his pluralist musical approach. Surely no producer or dj would claim a monocultural influence nowadays, but Krink is not just about referring to unanimous heroes. He is seeking the good and true: quality according to taste, if you will. Consequently Grandma’s old vinyl or the latest Vice-mag discovery can both offer inspiration and/or initiate his elaborate and functional productions. Besides, early childhood guitar- and piano lessons, later substituted with hardcore rock, brought forth his affinity for organic instruments and strong foundations in model kit-like productions. But, the boy is not only shining as an expert in theory of dance music, he also knows how to have a ball. In addition to hosting his own sequence of party nights in Hamburg, Krink is well respected as an artful filou amongst German and international peers and party people.