Died And Came Back To Life - Music
Died And Came Back To Life by Fats'e
Fats'e
Artist Biography For Fats'e
Born In Minneapolis Fats’e Is The Child Of A Musically Inclined Father Who Moved Him To Dallas When He Was Eight Years Old. The Two Used To Jam Together At Home While Fats’e Would Play Keyboard And His Dad Would Join In With Bongos Creating An “indie-Rock” Sound. By 11 Fats’e Formed A Band With A Few Of His Friends Playing Shows At Small Venues In McKinney. When He Was A Teenager His Musical Stylings Grew Into A “deathcore” Sound And He Joined A Band Called Regrets Of Despair Selling Out Shows At The Door And Sons Of Hermann Hall. In 2015 The Artist Traded The Emo Sound In Favor Of Hip-Hop As He Joined A Freestyling Collective. It Was Then That Fats’e Identity Which Refers To His First Name Charlie Was Born. During A Freestyling Session He Shouted The Phrase “Big Fat C On The Microphone.” The Name Immediately Stuck And Like His Sound The Spelling Of His Stage Name Evolved Over Time. On His Second Full-Length Album Staring At The Ceiling Fats’e Amalgamates All Of His Musical Backgrounds Into A Hyperpop Punk-Rock Package Wrapped In Influences Of Hip-Hop. Sonically It Sounds Like Of The Lovechild Charli XCX And Lil Uzi Vert But Lyrically Fats’e Takes Us On A Cathartic Journey. Staring At The Ceiling Opens With A Track Called “bad News ” On Which Fats’e Is “stuck In The Past” As “the Days Go On And On And On.” Over The Course Of 13 Tracks Many Of Which Are Under Three Minutes In Length He Recalls Losing Lovers And Severing Ties With “backstabbing Friends” From His Time Living In Los Angeles. By The End Of The Album He Feels “brand New ” As He Assures Us On The Closing Track “picking Myself Up Again.” Fats’e Wrote And Produced Staring At The Ceiling Over The Course Of Two Years Using Guitar Rig Software To Create Sounds As Well As SOPHIE And Travis Barker Drum Samples. He Recorded His Vocals In His Closet And Mixed And Mastered The Album Himself Over The Course Of Six Months. He Pored Over The Aural Examination Of The Album He Says By Listening To It Obsessively Before Its Release On His Home Speakers His AirPods And In The Car. He Recalls Mixing Each Song “about 50 To 60” Times.
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Biography - Fats'e
Born In Minneapolis Fats’e Is The Child Of A Musically Inclined Father Who Moved Him To Dallas When He Was Eight Years Old. The Two Used To Jam Together At Home While Fats’e Would Play Keyboard And His Dad Would Join In With Bongos Creating An “indie-Rock” Sound. By 11 Fats’e Formed A Band With A Few Of His Friends Playing Shows At Small Venues In McKinney. When He Was A Teenager His Musical Stylings Grew Into A “deathcore” Sound And He Joined A Band Called Regrets Of Despair Selling Out Shows At The Door And Sons Of Hermann Hall. In 2015 The Artist Traded The Emo Sound In Favor Of Hip-Hop As He Joined A Freestyling Collective. It Was Then That Fats’e Identity Which Refers To His First Name Charlie Was Born. During A Freestyling Session He Shouted The Phrase “Big Fat C On The Microphone.” The Name Immediately Stuck And Like His Sound The Spelling Of His Stage Name Evolved Over Time. On His Second Full-Length Album Staring At The Ceiling Fats’e Amalgamates All Of His Musical Backgrounds Into A Hyperpop Punk-Rock Package Wrapped In Influences Of Hip-Hop. Sonically It Sounds Like Of The Lovechild Charli XCX And Lil Uzi Vert But Lyrically Fats’e Takes Us On A Cathartic Journey. Staring At The Ceiling Opens With A Track Called “bad News ” On Which Fats’e Is “stuck In The Past” As “the Days Go On And On And On.” Over The Course Of 13 Tracks Many Of Which Are Under Three Minutes In Length He Recalls Losing Lovers And Severing Ties With “backstabbing Friends” From His Time Living In Los Angeles. By The End Of The Album He Feels “brand New ” As He Assures Us On The Closing Track “picking Myself Up Again.” Fats’e Wrote And Produced Staring At The Ceiling Over The Course Of Two Years Using Guitar Rig Software To Create Sounds As Well As SOPHIE And Travis Barker Drum Samples. He Recorded His Vocals In His Closet And Mixed And Mastered The Album Himself Over The Course Of Six Months. He Pored Over The Aural Examination Of The Album He Says By Listening To It Obsessively Before Its Release On His Home Speakers His AirPods And In The Car. He Recalls Mixing Each Song “about 50 To 60” Times.
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