Frogtoon Music

Insomnie À L'ail by Mains De Givre

Artist Biography For Mains De Givre

Mains De Givre Is A Violin-Centered Soundscaping Project Involving Self-Taught Experimentalist Eric Quach And Classically Trained Musician Émilie Livernois-Desroches Both Of Whom Call Montreal Home. Quach Is Widely Known For The Experimental Ambient Work He's Produced Under His Thisquietarmy Alias And Also Is The Founder Of The Instrumental-Shoegazer Band Destroyalldreamers. Livernois-Desroches Has Played Violin Since She Was Seven Years Old And Been Teaching Since 2003. She Has Been A Part Of Various Chamber Music And Symphonic Orchestras And Performs With A Wide Variety Of Bands In Styles Ranging From Pop To Medieval To Metal. While Her Previous Best-Known Project Was The Melodic Folk-Black Metal Band Blackguard Formerly Known As Profugus Mortis Mains De Givre Is Her Most Experimental Project To Date. Quach And Livernois-Desroches First Crossed Paths In 2003 While Playing With Their Respective Bands Destroyalldreamers And Sugarshack As Part Of The Emerging Post-Rock Scene In Montreal. Following Each Other's Musical Achievements Over The Years Their Mutual Respect For Each Other Grew Until They Found Themselves Six Years Later Embarking On A Studio Collaboration Initially Intended To Be Part Of A Thisquietarmy Release. As Their Personal And Musical Chemistry Grew Their Newfound Closeness Turned The Collaboration Into An Official Long-Term Project They Christened Mains De Givre Frost Hands After A Nickname That Had Been Given To Émilie Émilie-Aux-Mains-De-Givre By Her Bandmates. Mains De Givre's Debut Album Esther Marie Originates From Material Recorded At The Duo's First Jam Session In The Spring Of 2009. The Recording Opens With The Very First Notes The Two Played Together Notes That Evoke An Eerie Sadness That Permeates The Album And Characterizes The Mood Of Their Collaboration. With The Violin As The Lead Instrument Quach's Guitar Playing Is Restrained Yet Also Tense As He Generates Dark Slowly Evolving Drone Atmospheres Alongside Subtle Looped-Based Patterns That Swirl Within The Lower End Of The Sound Spectrum.

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