I Was Born A Brownskin And You Can't Make Me Blue - Music
I Was Born A Brownskin And You Can't Make Me Blue by Priscilla Stewart
Priscilla Stewart
Artist Biography For Priscilla Stewart
Priscilla Stewart Was A Blues Singer Active In The 1920s. Virtually Nothing Is Known About Priscilla Stewart. An Excellent Second-Level Classic Blues Singer Stewart Recorded 25 Performances During 1924-1928 All Of Which Are On Document DOCD-5476. In The Majority Of The Cases She Is Accompanied By Pianist Jimmy Blythe Who Is In Excellent Form Throughout. Altoist Stump Evans And Cornetist Shirley Clay Make One Appearance Apiece While “Charleston South Carolina” Which Is Really “The Charleston” And The Two Versions Of “Charleston Mad” Have Stewart Sounding Somewhat Exuberant While Joined By Lovie Austin’s Blues Serenaders A Quartet With Cornetist Tommy Ladnier And Clarinetist Jimmy O’Bryant. While Basically A Blues Singer Stewart Shows The Ability To Switch Comfortably To Non-Blues Material Including “Someday Sweetheart.” Perhaps That Is Why She Was Still Recording In 1928 Long After The Blues Craze Of The 1920s Had Subsided. All Stewart’s Recordings Were Made In Chicago And Most Of Them Have Piano By Jimmy Blythe. She Co-Wrote ‘Delta Bottom Blues’ With Him But It’s Not Known Whether ‘I Was Born In Arkansas Raised In Memphis Tennessee’ Is Autobiography.
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Biography - Priscilla Stewart
Priscilla Stewart Was A Blues Singer Active In The 1920s. Virtually Nothing Is Known About Priscilla Stewart. An Excellent Second-Level Classic Blues Singer Stewart Recorded 25 Performances During 1924-1928 All Of Which Are On Document DOCD-5476. In The Majority Of The Cases She Is Accompanied By Pianist Jimmy Blythe Who Is In Excellent Form Throughout. Altoist Stump Evans And Cornetist Shirley Clay Make One Appearance Apiece While “Charleston South Carolina” Which Is Really “The Charleston” And The Two Versions Of “Charleston Mad” Have Stewart Sounding Somewhat Exuberant While Joined By Lovie Austin’s Blues Serenaders A Quartet With Cornetist Tommy Ladnier And Clarinetist Jimmy O’Bryant. While Basically A Blues Singer Stewart Shows The Ability To Switch Comfortably To Non-Blues Material Including “Someday Sweetheart.” Perhaps That Is Why She Was Still Recording In 1928 Long After The Blues Craze Of The 1920s Had Subsided. All Stewart’s Recordings Were Made In Chicago And Most Of Them Have Piano By Jimmy Blythe. She Co-Wrote ‘Delta Bottom Blues’ With Him But It’s Not Known Whether ‘I Was Born In Arkansas Raised In Memphis Tennessee’ Is Autobiography.
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