Frogtoon Music

Ronnie's Bonnie by Reuben Wilson

Artist Biography For Reuben Wilson

Reuben Wilson Was One Of Many Soul-Jazz Organists To Emerge In The Late '60s But He Was One Of Only A Handful Of New Organists From That Era To Be Signed To Blue Note. Between 1968 And 1971 He Recorded Five Sessions For The Label. None Of His Records Received Much Acknowledgment At The Time But They Were Later Rediscovered By A New Generation Of Soul-Jazz Fans Becoming Collector's Items Within Acid Jazz And Soul-Jazz Circles. Wilson Began Performing Professionally In 1962. A Native Of Mounds OK He Moved To Pasadena CA As A Child Where He Attended School With Such Future Jazz Musicians As Bobby Hutcherson And Herb Lewis. As A Teenager Wilson Began To Teach Himself To Play Piano But His Attention Was Diverted By Boxing Which Landed Him A Sparring Gig With Heavyweight Floyd Patterson And Perhaps More Notably Landed Him An Acting Spot In The Landmark Feature Film Carmen Jones. When He Was 17 He Moved To Los Angeles And Married A Nightclub Singer Through Whom He Met A Number Of Professional Musicians. Associating With Musicians Convinced Wilson To Return To Music. Instead Of Pursuing The Piano He Decided To Take Up The Organ And It Wasn't Long Before He Became A Regular At The Caribbean Club Where He Played With Drummer Eddie Williams Guitarist George Freeman And Eventually Clifford Scott Of Bill Doggett’s “Honky Tonk” Fame . He Played The L.A. Circuit For Several Years Before Deciding To Try His Luck In Las Vegas. That Venture Proved Unsuccessful So He Moved Back To L.A. Where He Struck Up A Friendship With Richard "Groove" Holmes An Organist Who Would Greatly Influence His Own Style. In December 1966 Wilson Relocated To New York New York Where He Formed A Soul-Jazz Trio The Wildare Express With Drummer Tommy Derrick. The Wildare Express Lasted About Six Months Recording One Album For Brunswick And Playing Venues Throughout The East Coast And Detroit And Then Wilson Decided To Concentrate On More Complex Variations Of Hard Bop And Soul-Jazz. Eventually Such Respected Musicians As Grant Green Roy Haynes And Sam Rivers Began Playing With Wilson. Around The Same Time Blue Note Offered The Organist A Contract Based On A Demo He Had Sent The Label. On Broadway Wilson's First Album For Blue Note Was A Quartet Session Featuring His Old Bandmate Derrick And Was Recorded In October Of 1968. It Was Followed In March Of 1969 By Love Bug Which Featured Contributions From Trumpeter Lee Morgan And Guitarist Grant Green. His Third Album Blue Mode Was Cut In December 1969 And Offered Some Of His Hottest Playing. With His Fourth Album 1970's A Groovy Situation Wilson Moved In A Commercial Direction Much Like Many Of His Blue Note Peers. In July Of 1971 He Recorded Set Us Free His Final Album For The Label. Wilson's Contract With Blue Note Expired After Set Us Free And He Moved To Groove Merchant Where He Released Three Albums – Cisco Kid Cisco Kid Bad Stuff And The Sweet Life – During The Mid-'70s. He Then Recorded A Cult Club Classic For Cadet And The Cost Of Money. Throughout The Decade He Also Played On Sessions By Funk Soul And Jazz Artists Including A Record By The Fatback Band. During The Late '70s He Recorded Sporadically Eventually Retiring From Music In The Early '80s. By The Late '80s Wilson's Music Had Been Rediscovered By A New Generation Listeners Who Didn't Dismiss His Records As Commercial Fluff. Like Several Of His Peers His Late-'60s And '70s Records Through Sampling Became Cornerstones In The Newly Emerging Acid Jazz And Jazz-Rap Genres. Soon His Out Of Print Records Became Collector's Items And His Sampled Licks Were Appearing On Dancefloors Throughout England And Parts Of New York. Eventually Samples Of His Records Were Included On Hit Albums By A Tribe Called Quest Us3 Brand New Heavies And Nas. In Light Of All This New Attention Wilson Decided To Return To Performing And He Toured With Guru's Jazzmatazz Revue In 1995. He Also Began Writing New Material And Performing In New Groups Including Combos He Led Himself. In 1996 He Signed To Hip Bop And Recorded Organic Grooves With Dr. Lonnie Smith And Doug Carn. Throughout The Last Decade He’s Continued Recording Both Solo Albums As Well As Funk Full-Lengths With The Group Godfathers Of Groove Which Features Grant Green Jr. And Bernard Purdie. He Continues To Perform In Clubs And Festivals Across The World From The Montreux And Monterey Jazz Festivals To The Jazz Standard And Great American Music Hall.

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