Frogtoon Music

We've Gotta Get Out Of This Place by The Animals

Artist Biography For The Animals

The Animals Were A British Rock Band Of The 1960s Formed In Newcastle. They Were Part Of The British Invasion Being One Of The Most Popular Bands Of Their Era. Known For Their Gritty Raw Bluesy Sound And Hard-Voiced Frontman Eric Burdon As Exemplified By Their Signature Songs House Of The Rising Sun And Don't Let Me Be Misunderstood The Band Underwent Numerous Personnel Changes While Influencing The Later Heavy Metal Music With The Riffs Of Their Rock Songs Such As We Gotta Get Out Of This Place And It's My Life. They Emerged As An Exponent Of Psychedelic Music Before Dissolving At The End Of The Decade. In 1983 They Had A Comeback And Toured For Six Months Before Disbanding Forever. History First Incarnation Formed In Newcastle-Upon-Tyne During 1962 And 1963 When Burdon Joined The Existing Alan Price Rhythm And Blues Combo The Original Line-Up Comprised Eric Burdon vocals Alan Price organ And Keyboards Hilton Valentine guitar John Steel drums And Bryan "Chas" Chandler bass . The Animals' Moderate Success In Their Hometown And A Connection With The Yardbirds Manager Giorgio Gomelsky Motivated Them To Move To London In 1964 In Time To Be Grouped With The British Invasion. They Performed Fiery Versions Of The Staple Rhythm And Blues Repertoire Jimmy Reed John Lee Hooker Nina Simone Etc . Signed To The Columbia Graphophone Subsidiary Of EMI A Rocking Version Of The Standard "Baby Let Me Follow You Down" retitled Baby Let Me Take You Home Was Their First UK Hit Single. It Was Followed In June 1964 By The Huge Transatlantic Hit "House Of The Rising Sun". Burdon's Howling Vocals And The Dramatic Arrangement Created Arguably The First Folk Rock Hit. Whether The Arrangement Was Inspired By Bob Dylan's Version Of The Song which In Turn Was Inspired By Folk Singer Dave Van Ronk Or By Blues Singer Josh White's who Recorded It Twice In 1944 And 1949 Or By Singer/pianist Nina Simone who Recorded It In 1962 On At The Village Gate Predating Dylan's Interpretation Remains A Subject Of Dispute As Does Whether All Five Animals Deserved Credit For The Arrangement And Not Just Price. The Animals' Two-Year Chart Career Masterminded By Producer Mickie Most Featured Singles That Were Intense Gritty Pop Covers Such As Sam Cooke's Bring It On Home To Me And The Nina Simone Number Don't Let Me Be Misunderstood. In Contrast Their Album Tracks Stayed With Rhythm And Blues With Hooker's Boom Boom And Ray Charles' I Believe To My Soul Being Notable Examples. Burdon's Powerful Deep Voice And The Use Of Keyboards As Much Or More Than Guitars Were Two Elements That Made The Animals' Sound Stand Out. By May 1965 The Group Was Starting To Feel Internal Pressures. Price Left Due To Personal And Musical Differences As Well As A Fear Of Flying On Tour He Went On To A Successful Career As A Solo Artist And With The Alan Price Set. Mickey Gallagher Filled In For Him On Keyboards For A Spell Until Dave Rowberry Replaced Him And Was On Hand For The Hit Working-Class Anthems We Gotta Get Out Of This Place And It's My Life. Around That Time An Animals Big Band Even Made A One-Time Appearance. Many Of The Animals' Hits Had Come From Brill Building Songwriters Recruited By Most The Group And Burdon In Particular Felt This Was Too Restrictive. As 1965 Ended The Group Switched To Decca Records And Producer Tom Wilson Who Gave Them More Artistic Freedom. In Early 1966 MGM Records Their American Label Collected Their Hits Onto The Best Of The Animals It Became Their Best-Selling Album In The U.S. In February 1966 Steel Left And Was Replaced By Barry Jenkins A Leftover Cover Of Goffin-King's Don't Bring Me Down And The Powerful Hard Rock Tune See See Rider Were The Last Hits As The Animals. By This Time Their Business Affairs "were In A Total Shambles " According To Chandler who Would Go On To Manage Jimi Hendrix And The Group Disbanded. Even By The Standards Of The Day When Artists Tended To Be Financially Naïve The Animals Made Very Little Money From Their Successes Eventually Claiming Mismanagement And Theft On The Part Of Their Manager Mike Jeffery. Second Incarnation A Group With Burdon Jenkins And New Sidemen John Weider guitar/violin/bass Vic Briggs Alias Antion guitar/piano And Danny McCulloch bass Was Formed Under The Name Eric Burdon And The New Animals or Sometimes Just Eric Burdon & The Animals In October 1966 And Changed Direction. The Hard-Driving Blues Was Transformed Into Burdon's Version Of Psychedelia As The Former Heavy-Drinking Geordie who Later Said He Could Never Get Used To Newcastle "where The Rain Comes At You Sideways" Relocated To California And Became A Spokesman For The Love Generation But Also A Former Heavy Metal Act And One Of The Upcoming Stars Of The Genre Such As Black Sabbath Led Zeppelin And Deep Purple.. Some Of This Group's Hits Included "San Franciscan Nights" "Monterey" a Tribute To The 1967 Monterey Pop Festival And The Anti-War "Sky Pilot". There Were Further Changes To This Line-Up George Bruno a/k/a Zoot Money Keyboards Was Added In April 1968 And In July 1968 Andy Summers sic guitar —later Of The Police—replaced Briggs And McCulloch. By 1969 These Animals Had Dissolved And Eric Burdon Joined Forces With A Latin Group From Long Beach California Called War. The First Hit Under Eric Burdon & War Was The Funky/chill-Out Song Spill The Wine. The Group With 8 Members Disbanded In July 1971. Later Incarnations The Original Animals Line-Up Of Burdon Price Valentine Chandler And Steel Briefly Reunited For A Benefit Concert In Newcastle In 1968 For An Album In 1977 And Again For An Album And Tour supplemented By Zoot Money On Keyboards And Steve Grant On Guitar In 1983. Chandler Died In 1996. In The 2000s Burdon Has Toured With A New Set Of Musicians Under The Name "Eric Burdon And The Animals". Periodically During The 1990s And 2000s Valentine Steel And Dave Rowberry Toured Under The Name " Hilton Valentine's The Animals" And Valentine And Steel Under The Name "Animals II". Rowberry Died In 2003. As Of 2005 "Animals & Friends" Was Also Active Consisting Of Steel And Mickey Gallagher This Group Frequently Play Gigs On A Color Line Ship That Travels Between Scandinavia And Germany. Legacy The Original Animals Were Inducted Into The Rock And Roll Hall Of Fame In 1994. Their Influence Can Be Heard In Artists As Varied As The Doors Bruce Springsteen Tom Petty & The Heartbreakers Canned Heat David Johansen Joe Cocker Fine Young Cannibals Iggy Pop Mando Diao And Many Many More. Read More On Last.Fm. User-Contributed Text Is Available Under The Creative Commons By-SA License Additional Terms May Apply.

Frogtoon Music - Song Info: We've Gotta Get Out of This Place

"We Gotta Get Out Of This Place" Occasionally Written "We've Gotta Get Out Of This Place" Is A Rock Song Written By Barry Mann And Cynthia Weil And Recorded As A 1965 Hit Single By The Animals. It Has Become An Iconic Song Of Its Type And Was Immensely Popular With United States Armed Forces G.I.S During The Vietnam War. In 2004 It Was Ranked Number 233 On Rolling Stone's The 500 Greatest Songs Of All Time List It Is Also In The Rock And Roll Hall Of Fame's 500 Songs That Shaped Rock And Roll List. Barry Mann And Cynthia Weil Were Husband And Wife And Future Hall Of Fame Songwriters Associated With The 1960s Brill Building Scene In New York City. Mann And Weil Wrote And Recorded "We Gotta Get Out Of This Place" As A Demo With Mann Singing And Playing Piano. It Was Intended For The Righteous Brothers For Whom They Had Written The Number One Hit "You've Lost That Lovin' Feelin'" But Then Mann Gained A Recording Contract For Himself And His Label Red Bird Records Wanted Him To Release It Instead. Meanwhile Record Executive Allen Klein Had Heard It And Gave The Demo To Mickie Most The Animals' Producer. Most Already Had A Call Out To Brill Building Songwriters For Material For The Group's Next Recording Session The Animals Hits "It's My Life" And "Don't Bring Me Down" Came From The Same Call And The Animals Recorded It Before Mann Could. In The Animals' Rendition The Lyrics Were Slightly Reordered And Reworded From The Demo And Opened With A Locational Allusion – Although Different From That In The Songwriters' Minds – That Was Often Taken As Fitting The Group's Industrial Working Class Newcastle-Upon-Tyne Origins “In This Dirty Old Part Of The City
Where The Sun Refused To Shine
People Tell Me There Ain't No Use In Tryin'“ Next Came A Verse About The Singer's Father In His Deathbed After A Lifetime Of Working His Life Away Followed By A Call-And-Response Buildup Leading To The Start Of The Chorus “We Gotta Get Out Of This Place!
If It's The Last Thing We Ever Do…“ The Arrangement Featured A Distinctive Bass Lead By Group Member Chas Chandler. This Was The First Single Not To Be Recorded By The Original Line-Up Following As It Did The Departure Of Keyboard Player Alan Price And His Replacement By Dave Rowberry. It Featured One Of Singer Eric Burdon's Typically Raw Fierce Vocals. Rolling Stone Described The Overall Effect As A "harsh White-Blues Treatment From The Animals. As Burdon Put It 'Whatever Suited Our Attitude We Just Bent To Our Own Shape.'" The Song Reached Number 2 On The UK Pop Singles Chart On August 14 1965 Held Out Of The Top Slot By The Beatles' "Help!" . The Following Month It Reached Number 13 On The US Pop Singles Chart Its Highest Placement There. In Canada The Song Also Reached Number 2 On September 20 1965. At The Time The Title And Simple Emotional Appeal Of "We Gotta Get Out Of This Place" Lent Itself To Some Obvious Self-Identifications—for Instance It Was A Very Popular Number To Be Played At High School Senior Proms And Graduation Parties. In Music Writer Dave Marsh's View It Was One Of A Wave Of Songs In 1965 By Artists Such As The Beatles The Rolling Stones And Bob Dylan That Ushered In A New Role For Rock Music As A Vehicle For Common Perception And As A Force For Social Consciousness. Writer Craig Werner Sees The Song As Reflecting The Desire Of People To Take A Hard Look At Their Own Lives And The Community They Come From. Burdon Later Said "The Song Became An Anthem For Different People – Everybody At Some Time Wants To Get Out Of The Situation They're In." The Song Was Very Popular With United States Armed Forces Members Stationed In South Vietnam During The Vietnam War. It Was Frequently Requested Of And Played By American Forces Vietnam Network Disc Jockeys. During 2006 Two University Of Wisconsin–Madison Employees One A Vietnam Veteran Began An In-Depth Survey Of Hundreds Of Vietnam Veterans And Found That "We Gotta Get Out Of This Place" Had Resonated The Strongest Among All The Music Popular Then "We Had Absolute Unanimity Is This Song Being The Touchstone. This Was The Vietnam Anthem. Every Bad Band That Ever Played In An Armed Forces Club Had To Play This Song." Just Such A Band Played The Song In An Episode "USO Down" By Vietnam Veteran Jim Beaver Of The American Television Series About The War Tour Of Duty And The Song Is Reprised In The Episode's Final Scene. "We Gotta Get Out Of This Place" Was Also Used In Dennis Potter's 1965 Television Play Stand Up Nigel Barton And The BBC's 1996 Newcastle-Set Our Friends In The North Which Partially Took Place In The 1960s. In America It Was Used As The Title Credits Song In Some Episodes Of The Vietnam War-Set Television Series China Beach. It Was Then Applied To The Bin Laden Family Having To Leave The United States In The Aftermath Of The September 11th Terrorist Attacks In Michael Moore's 2004 Fahrenheit 9/11. It Also Was Featured In The Soundtrack To The 1987 Movie Hamburger Hill. It Was Used In A Third-Season Episode Of The 2000s Television Series Heroes. It Was Used As The Theme Song For 2002 BBC Comedy TLC And The 2013 BBC Series Privates. The Song Was Also Featured Humorously In The Kong Skull Island Trailer. In A 2012 Keynote Speech To An Audience At The South By Southwest Music Festival Bruce Springsteen Performed An Abbreviated Version Of The Animals' Version On Acoustic Guitar And Then Said "That's Every Song I've Ever Written. That's All Of Them. I'm Not Kidding Either. That's 'Born To Run' 'Born In The U.S.A.'"

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