Layered, complex industrial metal. The perfect balance between inhuman electronics and subhuman metallic rage. Beauty is noisy and quiet. It's chaotic but well-organized. It seamlessly bridges "electronics" and "metal." "Beauty is what I do. It's noisy, it's quiet, it's chaotic yet well-organized. Some background on Automatic Killfest: I finished Killfest in mid-1997 and put out a second demo, Buried With The Sky, to shop the album to labels. Nobody was interested.
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Layered, complex industrial metal. The perfect balance between inhuman electronics and subhuman metallic rage. Beauty is noisy and quiet. It's chaotic but well-organized. It seamlessly bridges "electronics" and "metal." "Beauty is what I do. It's noisy, it's quiet, it's chaotic yet well-organized. Some background on Automatic Killfest: I finished Killfest in mid-1997 and put out a second demo, Buried With The Sky, to shop the album to labels. Nobody was interested. I was frustrated and burnt, so I put Killfest on the shelf and took a long break from Beauty. I spent the next few years improving my studio and working on side projects. The demo was receiving good reviews and I should have just released Killfest myself. But for whatever reason, I didn't. Which brings us to now. My burnout is gone. I'm founding Wordclock Records with Brad Derrick later this year, so I no longer care if labels are interested in my music. I'm also working on the second Beauty CD, which will be one of Wordclock's first releases. In the meantime, I've finally released Killfest myself so it can't collect dust any longer. A lot of people have been very supportive over the past five years. I really appreciate that." - Scott Evans. Beauty.
