In North American and British contexts, pop folk mixes folk-inflected textures and musical landscapes featuring acoustic instrumentation with driving rhythms and melodic hooks (either ebullient, as in classic pop or, just as often, tinged with melancholy). Not as edgy or hard-hitting but generally more stridently tuneful than folk rock, pop folk emerged out of 1960s acoustic-laden musical directions in popular American and British music, such as the Beatles, and now plays out in both mainstream and indie musical scenes.
Lire la suite
In North American and British contexts, pop folk mixes folk-inflected textures and musical landscapes featuring acoustic instrumentation with driving rhythms and melodic hooks (either ebullient, as in classic pop or, just as often, tinged with melancholy). Not as edgy or hard-hitting but generally more stridently tuneful than folk rock, pop folk emerged out of 1960s acoustic-laden musical directions in popular American and British music, such as the Beatles, and now plays out in both mainstream and indie musical scenes.
On the global stage, pop folk seamlessly blends both the pop music and folk music traditions of both the local or national setting and various other styles from around the world. Pop folk is thus a kind of attitude to cultural production, one which does not remain chained to any particular folk-music history but draws freely from various folk-based styles and combines them with the popular music styles of the day.
For instance, the Chalga in Bulgaria incorporates a blend of Bulgarian, Arabic, Turkish, Greek, and Roma (Gypsy) influences along with motifs from even flamenco and klezmer music. It is known for repeating musical themes and dance rhythms and its style of dancing called kyuchek in Bulgarian.
