London based sound, noise & performance artist Sometimes Jasmine chops and twists layers of electric cello and live vocals over a mutated soundscape of cultural transmissions, from radio broadcasts and 50s B movies to London field recordings, combining the harmonious with the discordant and the rotten with the bliss to conjure a deliciously deranged sonic stew, best ingested in a dark room at high volume. A network of environmental sensors converts movement and light into data to drive the sound...
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London based sound, noise & performance artist Sometimes Jasmine chops and twists layers of electric cello and live vocals over a mutated soundscape of cultural transmissions, from radio broadcasts and 50s B movies to London field recordings, combining the harmonious with the discordant and the rotten with the bliss to conjure a deliciously deranged sonic stew, best ingested in a dark room at high volume. A network of environmental sensors converts movement and light into data to drive the sound processing engine behind rotten bliss, creating a highly visual and human interface which fuses together chance, magic and technology, creating a show which is part witchcraft, part performance and part expo of the future, drawing on its ritualistic performance aesthetic to subvert the precision of digital technology by opening up the machine to the erratic imprecisions of the body and of the moment.
