1. The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010. Formed in 1978 when singer/guitarist Billy Hassett and his bassist cousin, Martin Mason, advertised for musicians in the NME and found guitarist and songwriter, Chris Pope. Original drummer Paul Halpin did not stay long, at least behind his drum kit, and eventually became the group's tour manager. In his place came Brett "Buddy" Ascott, and by March 1979 The Chords were taking the stage. They gigged continuously over the spring and summer, headlining two mod festivals at London's Marquee Club and recording their first BBC Radio 1 session for DJ John Peel in early July. They also featured, along with some of their fans, on the cover of Time Out magazine. Amongst their early supporters were Paul Weller, who saw one of their first concerts, and Sham 69's Jimmy Pursey, who signed the group to his JP Productions company. The quartet recorded a handful of demos for Pursey, before the relationship soured after he instigated a stage invasion during The Undertones set at a concert where the Chords were the opening act. Polydor then signed the band to a recording contract. For their debut single, the Chords chose one of the songs recorded for Pursey, "Now It's Gone", re-recorded it and had it released in September 1979. It rose to No. 63 in the UK Singles Chart. They followed it up in January 1980 with "Maybe Tomorrow", which, bolstered by rave reviews in the press, shot in to the UK Top 40. A second Peel session was recorded in March, and the next month their third single, "Something's Missing", arrived. This taster for their debut album, So Far Away, reached No. 55. The album made No. 30 in the UK Albums Chart in May, bolstered by a UK tour. The album included two cover versions; Sam & Dave's "Hold On, I'm Comin'" and The Beatles' "She Said She Said". AllMusic gave So Far Away 4.5 stars, the second highest rating possible. 2. An American doo wop group, whose lone hit was "Sh-Boom", ranked #215 on Rolling Stone's list of the 500 Greatest Songs Of All Time. The Chords were a 1950s American doo wop group, whose lone hit was "Sh-Boom". They are sometimes mistakenly cited as the first R&B group of the 1950s to reach the pop charts. Although both versions of the song Sh-Boom (by The Chords and by The Crew-Cuts) were huge hits, it is the song Gee, released by The Crows in June 1953, that is properly credited with the honor of being the first Rock n’ Roll hit by a rock and roll group. The Chords - Carl (lead) and Claude Feaster (baritone), Jimmy Keyes (first tenor), Floyd "Buddy" McRae (second tenor) and Ricky Edwards (bass) - formed in 1951 in the Bronx, New York, but were not discovered until three years later, when they were spotted singing in a subway station, a performance that ultimately landed them a recording contract with Atlantic Records' Cat Records label. Jerry Wexler, Atlantic's A&R man, had the Chords cover a Patti Page hit, "Cross Over the Bridge" (it was also covered by The Flamingos for the Chance Records label), but it was the B-side, "Sh-Boom," a vocal tune with an a cappella catchy introduction that caught the imagination. A cover version later done by a white group called The Crew-Cuts, attempted to add their own spin on the song by seemingly adding nonsensical syllables ("shh-boom, shh-boom, yadda da da yadda da da da da da") that caused considerably more commotion. However the words ("Yadda da da yadda da da da da da") were never sung in the original version by the Chords. By the end of June 1954, "Sh-Boom" had climbed up the charts nationwide, charting on both the R&B (number three) and pop (number nine) lists, a nearly unprecedented feat for its time. For all practical purposes - along with The Crows' 1954 hit "Gee" (another upbeat B-side hit that DJs flipped over) - "Sh-Boom" introduced the white audience to black R&B music for the first time. [NOTE: The Crows "Gee" first appeared on the Billboard charts in March, 1954. While both versions of "Sh-Boom" were influential, better candidates for the first, or most influential song, by a black act to cross-over from the R&B charts to the pop charts, are The Dominoes' "Sixty Minute Man" which made it to #17 of the pop charts in 1951, and The Orioles' "Crying in the Chapel", #11 in 1953]. Not everyone thought the song was a precursor of good things to come. Peter Potter, host of TV's popular "Juke Box Jury", was seemingly aghast at the state of this then-new trend in pop music and attacked "Sh-Boom" asking if anyone would remember the admittedly demented ditty in five, let alone 20 years time and whether any record label would even think to re-release it in the future. Atlantic released numerous additional singles which mostly failed to chart. A last gasp attempt to resurrect the act came in mid 1955 when the group renamed themselves the Sh-Booms after their one big hit. The Chords/Chordcats/Sh-Booms went through several personnel changes during the late 1950s, recording a handful of forgettable records for Vik Records in 1957, and eventually returned to Atlantic in 1960 for one last recording before slipping away into the ether of time. 1. The British 1979 Mod Revival band called "The Chords" consisted of Chris Pope, Martin Mason, Billy Hassett, and Brett Ascott. The Chords story starts with cousins Billy Hassett and Martin Mason rehearsing Beatles and Who songs, etc, together at school. Via a New Musical Express advert Chris Pope joins in January 1978. They spend the year writing, rehearsing and playing a couple of gigs. They also fail to become the band in Quadrophenia - too loud apparently!. With the dawn of 1979 Paul Halpin (the original drummer and eventual road manager) is replaced with Brett (Buddy) Ascott. Buddy adds the final element the band is looking for. A powerhouse drummer with far too much energy and a desire to be Keith Moon, Buddy is the final link in the chain. By the end of March the band are playing the Wellington in Waterloo to packed crowds. In the audience are Paul Weller, NME and Polydor. This helps the band secure more gigs and an important support slot to The Jam. https://www.youtube.com/watch?v=9P9-swHFctk http://www.discogs.com/artist/658528-Chords-The-2 http://en.wikipedia.org/wiki/The_Chords http://www.chrishunt.biz/features54.html http://www.trouserpress.com/entry.php?a=chords http://www.thechords.co.uk/ https://myspace.com/thechordsuk