Holy minimalism, mystic minimalism, spiritual minimalism, or sacred minimalism are terms used to describe the musical works of a number of late-twentieth-century composers of Western classical music. The compositions are distinguished by a minimalist compositional aesthetic and a distinctly religious or mystical subject focus.
With the growing popularity of minimalist music in the 1960s and 1970s, which often broke sharply with prevailing musical aesthetics of serialism and aleatoric music
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Holy minimalism, mystic minimalism, spiritual minimalism, or sacred minimalism are terms used to describe the musical works of a number of late-twentieth-century composers of Western classical music. The compositions are distinguished by a minimalist compositional aesthetic and a distinctly religious or mystical subject focus.
With the growing popularity of minimalist music in the 1960s and 1970s, which often broke sharply with prevailing musical aesthetics of serialism and aleatoric music, many composers, building on the work of such minimalists as Terry Riley, Philip Glass and Steve Reich, began to work with more traditional notions of simple melody and harmony in a radically simplified framework. This transition was seen variously as an aspect of musical post-modernism or as neo-romanticism, that is a return to the lyricism of the nineteenth century.
