Frogtoon Music

Automatic For The People (Album) by R.E.M.

Artist Biography For R.E.M.

R.E.M. Was An American Rock Band From Athens Georgia Formed In 1980 By Drummer Bill Berry Guitarist Peter Buck Bassist/backing Vocalist Mike Mills And Lead Vocalist Michael Stipe. One Of The First Alternative Rock Bands R.E.M. Was Noted For Buck's Ringing Arpeggiated Guitar Style Stipe's Distinctive Vocal Quality And Obscure Lyrics Mills's Melodic Basslines And Backing Vocals And Berry's Tight Economical Style Of Drumming. R.E.M. Released Its First Single—"Radio Free Europe"—in 1981 On The Independent Record Label Hib-Tone. The Single Was Followed By The Chronic Town EP In 1982 The Band's First Release On I.R.S. Records. In 1983 The Group Released Its Critically Acclaimed Debut Album Murmur And Built Its Reputation Over The Next Few Years Through Subsequent Releases Constant Touring And The Support Of College Radio. Following Years Of Underground Success R.E.M. Achieved A Mainstream Hit In 1987 With The Single "The One I Love". The Group Signed To Warner Bros. Records In 1988 And Began To Espouse Political And Environmental Concerns While Playing Large Arenas Worldwide. By The Early 1990s When Alternative Rock Began To Enter The Mainstream R.E.M. Was Viewed By Subsequent Acts Such As Nirvana And Pavement As A Pioneer Of The Genre. The Band Released Its Two Most Commercially Successful Albums Out Of Time 1991 And Automatic For The People 1992 Which Veered From The Band's Established Sound And Catapulted It To International Fame. R.E.M.'s 1994 Release Monster Was A Return To A More Rock-Oriented Sound But Still Continued Its Run Of Success. The Band Began Its First Tour In Six Years To Support The Album The Tour Was Marred By Medical Emergencies Suffered By Three Of The Band Members. In 1996 R.E.M. Re-Signed With Warner Bros. For A Reported US$80 Million At The Time The Most Expensive Recording Contract In History. Its 1996 Release New Adventures In Hi-Fi Though Critically Acclaimed Fared Worse Commercially Than Its Predecessors. The Following Year Bill Berry Left The Band While Stipe Buck And Mills Continued The Group As A Trio. Through Some Changes In Musical Style The Band Continued Its Career Into The Next Decade With Mixed Critical And Commercial Success Despite Having Sold More Than 85 Million Records Worldwide And Becoming One Of The World's Best-Selling Music Artists. In 2007 The Band Was Inducted Into The Rock And Roll Hall Of Fame In Their First Year Of Eligibility. R.E.M. Disbanded Amicably In September 2011 Announcing The Split On Its Website. In January 1980 Michael Stipe Met Peter Buck In Wuxtry Records The Athens Record Store Where Buck Worked. The Pair Discovered That They Shared Similar Tastes In Music Particularly In Punk Rock And Protopunk Artists Like Patti Smith Television And The Velvet Underground. Stipe Said "It Turns Out That I Was Buying All The Records That Buck Was Saving For Himself." Through Mutual Friend Kathleen O'Brien Stipe And Buck Then Met Fellow University Of Georgia Students Mike Mills And Bill Berry Who Had Played Music Together Since High School And Lived Together In Georgia. The Quartet Agreed To Collaborate On Several Songs Stipe Later Commented That "there Was Never Any Grand Plan Behind Any Of It". Their Still-Unnamed Band Spent A Few Months Rehearsing In A Deconsecrated Episcopal Church In Athens And Played Its First Show On April 5 1980 Supporting The Side Effects At O'Brien's Birthday Party Held In The Same Church Performing A Mix Of Originals And 1960s And 1970s Covers. After Considering Twisted Kites Cans Of Piss And Negro Eyes The Band Settled On "R.E.M." Which Is An Initialism For Rapid Eye Movement The Dream Stage Of Sleep Which Stipe Selected At Random From A Dictionary. The Band Members Eventually Dropped Out Of School To Focus On Their Developing Group. They Found A Manager In Jefferson Holt A Record Store Clerk Who Was So Impressed By An R.E.M. Performance In His Hometown Of Chapel Hill North Carolina That He Moved To Athens. R.E.M.'s Success Was Almost Immediate In Athens And Surrounding Areas The Band Drew Progressively Larger Crowds For Shows Which Caused Some Resentment In The Athens Music Scene. Over The Next Year And A Half R.E.M. Toured Throughout The Southern United States. Touring Was Arduous Because A Touring Circuit For Alternative Rock Bands Did Not Then Exist. The Group Toured In An Old Blue Van Driven By Holt And Lived On A Food Allowance Of $2 Each Per Day. R.E.M. Was Pivotal In The Creation And Development Of The Alternative Rock Genre. AllMusic Stated "R.E.M. Mark The Point When Post-Punk Turned Into Alternative Rock." In The Early 1980s The Musical Style Of R.E.M. Stood In Contrast To The Post-Punk And New Wave Genres That Had Preceded It. Music Journalist Simon Reynolds Noted That The Post-Punk Movement Of The Late 1970s And Early 1980s "had Taken Whole Swaths Of Music Off The Menu" Particularly That Of The 1960s And That "After Postpunk's Demystification And New Pop's Schematics It Felt Liberating To Listen To Music Rooted In Mystical Awe And Blissed-Out Surrender." Reynolds Declared R.E.M. A Band That Recalled The Music Of The 1960s With Its "plangent Guitar Chimes And Folk-Styled Vocals" And Who "wistfully And Abstractly Conjured Visions And New Frontiers For America" One Of "the Two Most Important Alt-Rock Bands Of The Day." With The Release Of Murmur R.E.M. Had The Most Impact Musically And Commercially Of The Developing Alternative Genre's Early Groups Leaving In Its Wake A Number Of Jangle Pop Followers. R.E.M.'s Early Breakthrough Success Served As An Inspiration For Other Alternative Bands. Spin Referred To The "R.E.M. Model"—career Decisions That R.E.M. Made Which Set Guidelines For Other Underground Artists To Follow In Their Own Careers. Spin's Charles Aaron Wrote That By 1985 "They'd Shown How Far An Underground Punk-Inspired Rock Band Could Go Within The Industry Without Whoring Out Its Artistic Integrity In Any Obvious Way. They'd Figured Out How To Buy In Not Sellout-In Other Words They'd Achieved The American Bohemian Dream." Steve Wynn Of Dream Syndicate Said "They Invented A Whole New Ballgame For All Of The Other Bands To Follow Whether It Was Sonic Youth Or The Replacements Or Nirvana Or Butthole Surfers. R.E.M. Staked The Claim. Musically The Bands Did Different Things But R.E.M. Was First To Show Us You Can Be Big And Still Be Cool." Biographer David Buckley Stated That Between 1991 And 1994 A Period That Saw The Band Sell An Estimated 30 Million Albums R.E.M. "asserted Themselves As Rivals To U2 For The Title Of Biggest Rock Band In The World." Over The Course Of Its Career The Band Has Sold Over 85 Million Records Worldwide. Alternative Bands Such As Nirvana Pavement Radiohead Coldplay Pearl Jam The Band's Vocalist Eddie Vedder Inducted R.E.M. Into The Rock And Roll Hall Of Fame And Live Have Drawn Inspiration From R.E.M.'s Music. "When I Was 15 Years Old In Richmond Virginia They Were A Very Important Part Of My Life " Pavement's Bob Nastanovich Said "as They Were For All The Members Of Our Band." Pavement's Contribution To The No Alternative Compilation 1993 Was "Unseen Power Of The Picket Fence" A Song About R.E.M.'s Early Days. Local H According To The Band's Twitter Account Created Their Name By Combining Two R.E.M. Songs "Oddfellows Local 151" And "Swan Swan H". Kurt Cobain Of Nirvana Was A Fan Of R.E.M. And Had Unfulfilled Plans To Collaborate On A Musical Project With Stipe. Cobain Told Rolling Stone In An Interview Earlier That Year "I Don’t Know How That Band Does What They Do. God They’re The Greatest. They've Dealt With Their Success Like Saints And They Keep Delivering Great Music." During His Show At The 40 Watt Club In October 2018 Johnny Marr Said "As A British Musician Coming Out Of The Indie Scene In The Early '80s Which I Definitely Am And Am Proud To Have Been I Can't Miss This Opportunity To Acknowledge And Pay My Respects And Honor The Guys Who Put This Town On The Map For Us In England. I'm Talking About My Comrades In Guitar Music R.E.M. The Smiths Really Respected R.E.M. We Had To Keep An Eye On What Those Guys Were Up To. It's An Interesting Thing For Me As A British Musician And All Those Guys As British Musicians To Come To This Place And Play For You Guys Knowing That It's The Roots Of Mike Mills And Bill Berry And Michael Stipe And My Good Friend Peter Buck."

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Frogtoon Music Album Info: Automatic For The People

Automatic For The People Is The Eighth Album By The American Alternative Rock Band R.E.M. Released In 1992 On Warner Bros. Records. While R.E.M. Had Intended To Make A Harder-Rocking Album After Dealing Primarily With Acoustic Based Sounds On Its Previous Record Out Of Time 1991 The Group Eventually Abandoned That Goal And Created An Album That Was Musically Subdued And Dealt With Mortality. Automatic For The People Reached Number Two On The US Album Charts And Yielded Six Singles. It Was Ranked #247 In Rolling Stone’s 500 Greatest Albums Of All Time. After Promotional Duties For Their Previous Album Out Of Time In May 1991 The Members Of R.E.M. Began Work On Their Next Album. Starting The First Week Of June Guitarist Peter Buck Bassist Mike Mills And Drummer Bill Berry Met Several Times A Week In A Rehearsal Studio To Work On New Material. Once A Month They Would Take A Week-Long Break. The Musicians Would Often Trade Instruments Buck Would Play Mandolin Mills Would Play Piano Or Organ And Berry Would Play Bass. Buck Explained That Writing Without Drums Was Productive For The Band Members. The Band Intent On Delivering An Album Of Harder-Rocking Material After Out Of Time Made An Effort To Write Some Faster Rock Songs During Rehearsals But Came Up With Less Than A Half Dozen Prospective Songs In That Vein. When It Came Time To Make Demos The Musicians Recorded Them In Their Standard Band Configuration. According To Buck The Musicians Recorded About 30 Songs. Singer Michael Stipe Was Not Present At These Sessions Instead The Band Gave Him The Finished Demos At The Start Of 1992. Stipe Described The Music To Rolling Stone Early That Year As “very Mid-Tempo Pretty Fucking Weird More Acoustic More Organ-Based Less Drums”. In February R.E.M. Recorded Another Set Of Demos At Daniel Lanois’ Kingsway Studios In New Orleans. The Group Decided To Create Finished Recordings With Co-Producer Scott Litt At Bearsville Studios In Woodstock New York Starting On March 30. The Band Recorded Overdubs In Miami And New York City. String Arrangements Were Recorded In Atlanta Georgia. After Recording Sessions Were Completed In July The Album Was Mixed At Bad Animals Studio In Seattle. Automatic For The People Was Released In October 1992. In The United States The Album Reached Number Two On The Billboard 200 Album Charts. The Album Reached Number One In The United Kingdom Where It Topped The UK Albums Chart On Four Separate Occasions. Despite Not Having Toured After The Release Of Out Of Time R.E.M. Again Declined To Tour In Support Of This Album. Automatic For The People Has Been Certified Four Times Platinum In The United States Four Million Copies Shipped Six Times Platinum In The United Kingdom 1.8 Million Shipped And Three Times Platinum In Australia 210 000 Shipped . The Album Has Sold 3.5 Million Copies In The United States According To Nielsen SoundScan. Automatic For The People Yielded Six Singles Over The Course Of 1992 And 1993 “Drive” “Man On The Moon” “The Sidewinder Sleeps Tonite” “Everybody Hurts” “Nightswimming” And “Find The River”. Lead Single “Drive” Was The Album’s Highest-Charting Domestic Hit Reaching Number 28 On The Billboard Hot 100. Other Singles Charted Higher Overseas “Everybody Hurts” Charted In The Top Ten In The United Kingdom Canada And Australia. R.E.M. Biographer David Buckley Wrote “Automatic For The People Is Regarded By Peter Buck And Mike Mills And By Most Critics As Being The Finest R.E.M. Album Ever Recorded.” Rolling Stone Gave The Album Five Stars. Reviewer Paul Evans Wrote “Despite Its Difficult Concerns Most Of Automatic Is Musically Irresistible.” Melody Maker Reviewer Allan Jones Commented “It’s Almost Impossible To Write About The Record Without Mentioning The Recent Grim Rumors Concerning Stipe’s Health” In Reference To The Rumors At The Time That The Singer Was Dying Of AIDS Or Cancer. Jones Concluded His Review By Noting “Amazingly Initial Reactions To Automatic For The People In This Particular Vicinity Have Been Mixed Psshaw To Them. Automatic For The People Is R.E.M. At The Very Top Of Their Form.” Ann Powers Reviewing The Album For The New York Times Noted That Only Three Of The Songs On The Album Went Beyond Mid-Tempo And Said “Only ‘Man On The Moon’ Shines With A Wit That Balances R.E.M.’s Somber Tendencies”. Powers Finished Her Review By Saying “Even In The Midst Of Such Disenchantment R.E.M. Can’t Resist Its Own Talent For Creating Beautiful And Moving Sounds. Buck Mills And Berry Can Still Conjure Melodies That Fall Like Summer Sunlight. And Stipe Still Possesses A Gorgeous Voice That Cannot Shake Its Own Gift For Meaning.”Guy Garcia For Time Also Noted The Album’s Themes Of “hopelessness Anger And Loss”. Garcia Added That The Album Proves “that A So-Called Alternative Band Can Keep Its Edge After Conquering The Musical Mainstream” And That It “manages To Dodge Predictability Without Ever Sounding Aimless Or Unfocussed”. Automatic For The People Placed Third In The Village Voice Pazz & Jop Year-End Critics’ Poll. The Album Was Nominated For Album Of The Year At The Grammy Awards Of 1993. It Was Also Ranked #247 In Rolling Stone’s 500 Greatest Albums Of All Time. In 2005 Warner Bros. Records Issued A Two-Disc Edition Of Automatic For The People Which Includes A CD A DVD-Audio Disc Containing A 5.1-Channel Surround Sound Mix Of The Album Done By Elliot Scheiner And The Original CD Booklet With Expanded Liner Notes. The Album Name Refers To The Motto Of Athens Georgia Eatery Weaver D’s Delicious Fine Foods. The Photograph On The Front Cover Is Not Related To The Restaurant It Shows A Star Ornament That Was Part Of The Sign For The Sinbad Motel On Biscayne Boulevard In Miami Near Criteria Studios Where The Bulk Of The Album Was Recorded. The Motel Is Still There But The Star Is Not. The Slanted Support Where It Was Once Attached Is Still There On The Roof Of The Sinbad. The Interior Jacket Shows A Two–three Story Circular Platform That Was The Sign For The Old Bon Aire Motel On The Former Motel Row On Miami Beach. The Bon Aire And Other Motel Row Establishments Have Mostly Been Demolished For New High-Rise Condominiums. The Front Cover Of The Album Shows A Greyed-Out Photograph Of A Miami Motel Sign Placed Over An Embossed Image Which Is Also Included Inside The Album’s Booklet Distorted On A White Background. The Back Cover Features A Photograph Of An Old Building With The Track Listing Written Over At The Same Angle From Which The Building Is Viewed. Other Photographs Taken By Anton Corbijn Feature The Band Members On A Beach.