Pupazzetti - Music
Pupazzetti by Alfredo Casella
Alfredo Casella
Artist Biography For Alfredo Casella
Born In Turin In 1883 Alfredo Casella Showed Early Ability As A Pianist An Inheritance Gained From His Father Two Uncles And His Paternal Grandfather All Who Were Deeply Involved In Music. It Was From His Mother That He Received His First Piano Lessons But He Soon Outstripped Her Tuition And At The Age Of Twelve It Was Decided He Should Seek Entry Into The Paris Conservatoire. In 1896 He Moved There And In 1901 Was Admitted Into The Composition Class Of Gabriel Fauré. In Total He Remained In Paris For Almost Nineteen Years During Which Time He Found Friendship With Ravel And Enescu. But Above All His Compositions Fell Under The Influence Of Mahler And Richard Strauss. In Those Early Years In Paris He Enjoyed A Career As Pianist And Harpsichordist Working In Chamber Music And As An Accompanist. It Was Also The Period When He Wrote His First Two Symphonies. As A Conductor His Career Had Many Setbacks And Though His Music Changed Tack With Stravinsky Becoming A Major Inspiration It Was Receiving Little Public Acclaim. In 1915 Casella Returned To Italy And Settled In Rome Taking Up The Modest Post Of Piano Teacher At The School Of Music Santa Cecilia. In 1923 He Gained The Position Of Presenting Piano Masterclasses There And Became An Important Figure Of Influence On Young Italian Musicians. In 1923 He Set Up The Corporazione Delle Nuove Musiche Affiliated To The International Society For Contemporary Music. Looking Now At The Members - Respighi Malipiero Castelnuovo-Tedesco And The Conductor And Composer Vittorio Gui It Hardly Looks Revolutionary And They Soon Drifted Away Leaving Casella As Its Only Important Member. He However Remained A Leading Figure In The Crusade To Bring To The Italian Public A Wider Awareness Of Contemporary Musical Trends. He Was Regarded A Leading Figure In Italian Music In His Time And Director For Some Years Of The Venice Festival Of Contemporary Music. Sadly He Embraced Fascism But Was To Die Shortly After The War And Before International Retribution On Those Who Supported This Cause Could Be Made.His Output Contained Operas Ballets Symphonies Concertos A Considerable Quantity Of Orchestral Chamber And Instrumental Music.
47 Similar Tracks:
Luciano Berio - 2: Where Are Ye Fair Maids Luciano Berio - 3: These Are The Cries Of London Town Vagn Holmboe - I. Molto Moderato Vagn Holmboe - Symphony No. 5, Op. 35: I. Allegro Non Troppo Alessandro Rolla - III. Rondo Giovanni Battista Viotti - I. Introduzione: Tempo Giusto Ma Piu Tosto Vivo Giovanni Battista Viotti - VII. Allegro Ferruccio Busoni - Polonaise No. 2 In E Major Francesco Antonio Bonporti - II. Corrente: Presto Pietro Antonio Locatelli - I. Cantabile Pietro Antonio Locatelli - IV. Presto Giulio Caccini - Odi Euterpe Francesco Antonio Bonporti - I. Preludio: Vivace Francesco Durante - II. Ricercar Del Quarto Tono Francesco Durante - IV. Canone A Tre Benedetto Marcello - Oboe Concerto In D Minor: II. Adagio arr. For Organ Benedetto Marcello - I Cieli Immensi arr. For Brass Quintet Giovanni Allevi - Anelli Giovanni Allevi - Carta E Penna Domenico Scarlatti - Sonata In G Major L 387 Domenico Scarlatti - Sonata In G Major L 103 Antonio Lotti - III. Adagio Antonio Lotti - II. Adagio Yiruma - Beloved Ruggero Leoncavallo - Valse Mignonne Ludovico Einaudi - The Snow Prelude N.2 Ottorino Respighi - Il Tramonto Béla Bartók - II. Allegro Giocoso Béla Bartók - I. Allegro Appassionato Ludovico Einaudi - Moderato Francis Poulenc - Bagatelle In D Minor For Violin And Piano Massimiliano Damerini - Musica Per Amici Bussotti Massimiliano Damerini - Prélude 1915 Roslavets Luigi Dallapiccola - I. Allegro Comodo Rolf Hind - Arc: Part 1 - Solitude Giovanni Battista Viotti - IV. Andante Giovanni Battista Viotti - VI. Andante Giovanni Battista Viotti - Duo For 2 Violins In G Major: II. Andante Giovanni Battista Viotti - Duo For 2 Violins In G Major: I. Allegro Giovanni Battista Viotti - I. Introduzione: Andante Giovanni Battista Viotti - Concerto For Cello And Orchestra In C: II. Adagio Giovanni Battista Viotti - Concerto For Cello And Orchestra In C: I. Allegro Giovanni Battista Viotti - Rondeau Giovanni Battista Viotti - Scherzando In D Major Giovanni Battista Viotti - Violin Concerto No. 13 In A Major: I. Allegro Brillante Giovanni Battista Viotti - Violin Concerto No. 13 In A Major: II. Andante Giovanni Battista Viotti - Violin Concerto No. 13 In A Major: III. Tempo Di Minuetto
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Biography - Alfredo Casella
Born In Turin In 1883 Alfredo Casella Showed Early Ability As A Pianist An Inheritance Gained From His Father Two Uncles And His Paternal Grandfather All Who Were Deeply Involved In Music. It Was From His Mother That He Received His First Piano Lessons But He Soon Outstripped Her Tuition And At The Age Of Twelve It Was Decided He Should Seek Entry Into The Paris Conservatoire. In 1896 He Moved There And In 1901 Was Admitted Into The Composition Class Of Gabriel Fauré. In Total He Remained In Paris For Almost Nineteen Years During Which Time He Found Friendship With Ravel And Enescu. But Above All His Compositions Fell Under The Influence Of Mahler And Richard Strauss. In Those Early Years In Paris He Enjoyed A Career As Pianist And Harpsichordist Working In Chamber Music And As An Accompanist. It Was Also The Period When He Wrote His First Two Symphonies. As A Conductor His Career Had Many Setbacks And Though His Music Changed Tack With Stravinsky Becoming A Major Inspiration It Was Receiving Little Public Acclaim. In 1915 Casella Returned To Italy And Settled In Rome Taking Up The Modest Post Of Piano Teacher At The School Of Music Santa Cecilia. In 1923 He Gained The Position Of Presenting Piano Masterclasses There And Became An Important Figure Of Influence On Young Italian Musicians. In 1923 He Set Up The Corporazione Delle Nuove Musiche Affiliated To The International Society For Contemporary Music. Looking Now At The Members - Respighi Malipiero Castelnuovo-Tedesco And The Conductor And Composer Vittorio Gui It Hardly Looks Revolutionary And They Soon Drifted Away Leaving Casella As Its Only Important Member. He However Remained A Leading Figure In The Crusade To Bring To The Italian Public A Wider Awareness Of Contemporary Musical Trends. He Was Regarded A Leading Figure In Italian Music In His Time And Director For Some Years Of The Venice Festival Of Contemporary Music. Sadly He Embraced Fascism But Was To Die Shortly After The War And Before International Retribution On Those Who Supported This Cause Could Be Made.His Output Contained Operas Ballets Symphonies Concertos A Considerable Quantity Of Orchestral Chamber And Instrumental Music.
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