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Carlos Wesley Don Byas October 21 1912–August 24 1972 Was A Jazz Tenor Saxophonist Born In Muskogee Oklahoma In The United States. Although His Long Residence In Europe Kept Him Out Of The Public Eye In The United States He Is A Significant Influence On Later Players Of His Instrument. Early Life 1912-1932 Both Of Byas' Parents Were Musical His Mother Played The Piano And Father The Clarinet. Byas Started His Training In Classical Music First On The Violin Then On The Clarinet And Finally On The Alto Saxophone Which He Played Until The End Of The 1920s. Multi-Instrumentalist Benny Carter Was His Idol At This Time. He Started Playing In Local Orchestras At The Age Of 17 With The Likes Of Bennie Moten Terrence Holder And Walter Page’s Blue Devils. At Langston College Oklahoma He Founded And Led His Own College Band "Don Carlos And His Collegiate Ramblers" During 1931-32. West Coast 1932-1937 Byas Switched To The Tenor Saxophone After He Moved To West Coast And Played With Various Los Angeles Bands. In 1933 He Took Part In A West Coast Tour With Bert Johnson’s Sharps And Flats. He Worked In Lionel Hampton’s Band At The Paradise Club In 1935 Along With The Reed Player And Arranger Eddie Barefield And The Trombonist Tyree Glenn. He Was A Member Of Various Other Bands In The Area Including Those Of Eddie Barefield Buck Clayton 1936 Lorenzo Flennoy And Charlie Echols. New York 1937-1946 In 1937 Byas Moved To New York To Work With The Eddie Mallory Band Accompanying Mallory’s Wife The Singer Ethel Waters On Tour And At The Cotton Club. He Had A Brief Stint With Arranger Don Redman's Band In 1938 And Later In 1939-1940. He Recorded His First Solo In May 1939 "Is This To Be My Souvenir" With Timme Rosenkrantz And His Barrelhouse Barons For Victor. He Played With The Bands Of Such Leaders As Lucky Millinder Andy Kirk Edgar Hayes And Benny Carter. He Spent About A Year In Andy Kirk’s Band Recording With Him Between March 1939 And January 1940 Including A Beautiful Short Solo On "You Set Me On Fire". In September 1940 He Had An 8 Bar Solo On "Practice Makes Perfect" Recorded By Billie Holiday. He Participated In Sessions With The Pianist Pete Johnson Trumpeter Hot Lips Page And Singer Big Joe Turner. In 1941 At Minton's Playhouse He Played With Charlie Christian Thelonious Monk And Kenny Clarke In After Hours Sessions. In Early 1941 After A Short Stay With Paul Bascomb He Had His Big Break When Count Basie Chose Him To Succeed The Post Of Lester Young In His Big Band. "Harvard Blues" Jimmy Rushing’s Vocal Version Of George Frazier’s Tune Recorded November 17 July 24 1942 Small Group Session With Buck Clayton Count Basie And His Rhythm Section Freddie Green Walter Page Jo Jones Recording "Royal Garden Blues" And "Sugar Blues" August 1942 Went To Hollywood With Basie's Band To Record For The Film Reveille With Beverly January 1943 Another Film Stage Door Canteen November 1943 Last Recording With Basie Started To Play In Small Bands In New York Clubs He Played With Coleman Hawkins At The Yacht Club 1944 Associated With Beboppers Such As Dizzy Gillespie Charlie Parker George Wallington Oscar Pettiford And Max Roach At The Onyx Club From Early 1944 Recorded With The Above Under Coleman Hawkins Six Sides Which Are Said To Be The First Bebop Recordings "Woody 'n You" February 16 And 22 1944. May 1944 Shared Tenor Duties With Hawkins In The Latter's "Sax Ensemble" With Gillespie Recorded "Be-Bop" "Good Bait" And "Salt Peanuts" January 1945 For Manor Records Mary Lou Williams Benny Goodman Hot Lips Page May 1944 Leader Of His Own Band Performances At The "Three Deuces" Recorded For Small Labels Savoy Jamboree National Disc Arista Super American Hub Gotham Had A Hit With "Laura" By David Raksin The Title Tune Of Otto Preminger's Movie Of The Same Name 1944 Despite His Bebop Associations Byas Always Remained Deeply Rooted In The Sounds Of Swing. He Started Out By Emulating Coleman Hawkins But Byas Always Cited Art Tatum As His Greater Influence "I Haven't Got Any Style I Just Blow Like Art". January 4 1945 - Clyde Hart Singer "Rubberlegs" Williams Gillespie Parker Trummy Young January 9 1945 Gillespie Parker Byas And Young Record "Be Bop" And "Salt Peanuts" Town Hall Concert Duet With Slam Stewart In 1945 Savoy Sessions In 1945-46 January 11 1946 Esquire Magazine 2nd Place In Tenor Sax February 22 Recorded With Gillespie "52nd Street Theme" "Night In Tunisia" Paris 1946-1961 In September 1946 Byas Went To Europe To Tour As One Of The Stars In Don Redman's Big Band. The Expedition Has Taken The Band Through Denmark Belgium Switzerland And Germany. They Were The First All Black American Orchestra To Appear In The French Capital Since The Liberation. Byas Like Some Others In Redman's Orchestra Forgot To Return Across The Atlantic. After A Few Bookings Took Him To Belgium And Spain He Finally Settled In Paris And Was Given A Chance To Record Almost Immediately. While Still In Geneva He Recorded "Laura" And "How High The Moon". In December 1946 He Recorded For The First Time In France With Redman Tyree Glenn And Peanuts Holland. Recorded For The Swing And Blue Star Labels January 1947 Working With Eddie Barclay. The Years 1947 And 1948 Found Byas In Barcelona Where He Moved To Enjoy The Lower Cost Of Living And The Thriving Atmosphere. He Met Many Friends And Had Plenty Of Work. The Pianist Tete Montoliu Sneaked Into The Copacabana Club In Barcelona To Hear The Great Saxophone Player. Byas Was At The Top Of His Form In These Years Performing With Bernard Hilda's Orchestra August 1947 Francisco Sanchez Ortega And Luis Rovira. New Year's 1949 Bill Coleman In The Autumn Toured With Buck Clayton. From 1948 Onwards Byas Became A Familiar Figure Not Only Around The Saint-Germain-Des-Prés In Paris But Also On The Riviera Where He Could Be Seen In Saint-Tropez Sporting A Mask Tuba Flippers And An Underwater Spear-Gun. The Tenor Found Work Could Record Regularly And Had Many Friends. They Adored Not Only His Musical Talent But Also His Skills At The Pool Table As A Sportsman Fishing And Diving And A Chef Who Dished Up Louisiana-Style Menus To The Numerous Admirers Mostly Ladies That Would Be Found Around This Real Bon Vivant. When Mary Lou Williams Went To Live In Paris From 1952 To 1954 The Two Of Them Renewed The Friendship They Formed When They Played Together In The Andy Kirk Band In 1939-40 And Later In 1944. They Recorded Together On Vogue In 1953. Byas Also Recorded With Beryl Booker In The Same Year. Later Life 1961-1972 Byas Relocated To The Netherlands And Married A Dutch Woman. He Worked Extensively In Europe Often With Such Touring American Musicians As Art Blakey Kenny Clarke Duke Ellington Gillespie Jazz At The Philharmonic Bud Powell And Ben Webster. He Also Recorded With Fado Singer Amália Rodrigues During His Time In Europe. Byas Did Not Return To The U.S. Until 1970 Appearing At The Newport Jazz Festival. He Died In Amsterdam Of Lung Cancer. Trivia
Byas' Tenor Saxophone Bought From His Widow Is On Display At Rutgers University's Institute Of Jazz Studies. read less