Frogtoon Music

Ufo by Esg

Artist Biography For Esg

Since Their Inception ESG Has Affected Post-Punk No Wave Dance-Punk Hip-Hop And Various Styles Of Dance Music Such As House. They Fell In With The Late '70s And Early '80s NYC No Wave And Post-Punk Scene They Had Their Music Sampled Countless Times And They Became A Playlist Staple At '70s And Early '80s Dance Clubs Like The Paradise Garage And The Music Box. ESG Emerald Sapphire And Gold Formed In 1978 In The South Bronx. The Band Originally Consisted Of The Four Scroggins Sisters -- Deborah Bass Vocals Marie Congas Vocals Renee Vocals Guitar And Valerie Drums Although Line-Up Changes Have Happened Many Times Since Their Formation Including Bandmembers Who Were Neighbors Daughters Of Original Members And Even Male Band Members. The Scroggins Mother Bought The Band's Instruments When They Were Still Teenagers To Keep Them Supposedly Busy And Away From Trouble. They Had To Teach Themselves Their Instruments But It Wasn't Long Before They Started Playing Shows And Clubs. Soon Ed Bahlman The Owner Of 99 Records A Record Shop And A Label That Included Y Pants Liquid Liquid Bush Tetras And Konk On Its Roster Was Impressed Enough To Take Them Under His Wing As A Manager And Producer. Consequentially ESG And Their Music Fell In With The No Wave And Post-Punk Scene Of New York City Thereafter Even Though Their Music Was Neither Abrasive In Anyway Or Art Conscious -- But The Group's Sparse Heavily Rhythmic And Unpolished Sound Fit Right Into The New York Scene In Which Bahlman's Label Was A Significant Factor. Bahlman Booked Them Successfully At Punk Clubs And They Were A Hit In The Underground NYC Scene. After A Few Singles And EPs In The Late '70s And Early '80s The Band Hooked Up With Factory Records Producer Martin Hannett While He Was In The Area Recording A Certain Ratio's First Album "To Each" In 1981. The 6 Song ESG 12" EP On 99 Records From The Same Year Features A Particularly Unique And Widely Sampled Track UFO Using Hannett's Fondness For Reverb Flangers And Feedback To Make A Song That Was So Unusual It Has Been Very Widely Sampled Along With Other Tracks From That Record. That EP Is A Rarity On Vinyl That Is Highly Prized By DJs And Copies Typically Sell On Ebay For About $50 With Only A Dozen Or So Copies Surfacing There In Recent Years. Their First Full-Length LP Came With 1983's Come Away With ESG. Unfortunately Their Record Label Had To Soon Close Because Of Bahlman's Legal Battle With Sugarhill Over Grandmaster Flash's Sampling Of Liquid Liquid's "Optimo" Caused Him Financial And Mental Stress With Sugarhill's Fall Into Receivership -- And Inability To Award 99 Records Their Due Settlement -- Acting As The Final Straw. With The Closing Of 99 Records ESG Disbanded Shortly Thereafter 1984 But Re-Formed In The Early '90s Heralding Their Comeback With A Self-Titled 1991 Compilation Of Previously Released Material. In The Years Since Their Original Formation The Group's Work Had Become Popular Among Hip-Hop Artists Searching For Samples With Such Acts As TLC Wu-Tang Clan Beastie Boys Big Daddy Kane Gang Starr Tricky Jay Dee J-Dilla On His Donuts Album And Indie Rockers Like Unrest And Liars. The Group Addressed This Issue On The 1992 12" EP Sample Credits Don't Pay Our Bills. The Album ESG Live! Was Release In 1995 And Featured Both Old And New Material. The Band Played What Was To Be Their Final Show On Friday September 21 2007 At Chicago's Abbey Pub During The Estrojam Festival. But The Band Announced That They Reformed In 2008 To Play Their First Returning Show At NYC's Santos House Party On September 13 2008. They Also Claimed That Both More Shows And New Music Will Emerge In The Future.

Frogtoon Music - Song Info: UFO

This Track Was Produced By Factory Records Producer Martin Hannett Around The Time He Was Producing An Album For A Certain Ratio To Each? In East Orange New Jersey. This Is A Song That You Have Probably Heard Bits And Pieces Of Many Times Before. It's Sometimes Said To Be One Of The Most Widely Sampled Tracks Ever. The Instrumental Textures And Effects Processing To This Groove Were Very Unusual At The Time It Was Released In 1981 And Have Remained Fresh And Widely Used And Copied In The 28 Years Since It Was Recorded. It Has Recirculated On Dusty Groove DJ Sample Records And Long Been A Favorite Of Live DJs. Copies Of The Original Vinyl 12" EP This Is On Typically Sell For About $50 On Ebay And Are Rare. It Uses Some Of Martin Hannett's Trademark Sound With Reverb And Processing - Offhand I Think It's Heavy On A Flanger And Chorus With Lots Of Feedback Overloading The The Signal As It Pulses. Some Artists Sampling This * Sampled By Public Enemy On Night Of The Living Baseheads 1988 * Sampled By Big Daddy Kane On Ain't No Half Steppin' 1988 * Sampled By Stezo On It's My Turn 1989 * Sampled By Tim Dog On Fuck Compton 1991 * Sampled By Liars On Tumbling Walls Buried Me In The Debris With ESG 2001 * Sampled By J Dilla On Geek Down 2006 * Sampled By Miles Davis On Fantasy 1992 Martin's Wet Reverby Production Was First Heard Widely On His Work With Joy Division And A Certain Ratio And Became A Recognizable Early 80's Post Punk/new Wave Sound Heard On Many Releases On Factory Records And Spawning Many Copycats - Much Of The 4AD Records Catalog Circa 1981-84 Has A Similar Feel - But Nothing Really Comes Close To The Groove That These Funky Chicks Hit After Hannett's Entourage Fell In Love With Their Sound And Produced Their Six Song EP. The Song Is Arguably More As Much Hannett's As It Is ESG. If You Like What You Hear Here Then Check Out Related Artists Like ACR A Certain Ratio Especially To Each Sextet And I'd Like To See You Again And The Early 12" EPs They Did. Maximum Joy Liquid Liquid Basement 5 And Glaxo Babies Might Also Come A Little Close.

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