Festive Overture - Music

Francesco Cavalli February 14 1602 – January 14 1676 Was An Italian Composer. His Real Name Was Pietro Francesco Caletti-Bruni But He Is Better Known By That Of Cavalli The Name Of His Patron A Venetian Nobleman. Cavalli Was Born At Crema Lombardy. He Became A Singer At St Mark's In Venice In 1616 Second Organist In 1639 First Organist In 1665 And In 1668 Maestro Di Cappella. He Is However Chiefly Remembered For His Operas. He Began To Write For The Stage In 1639 Le Nozze Di Teti E Di Peleo And Soon Established So Great A Reputation That He Was Summoned To Paris In 1660 To Produce An Opera Xerse . He Visited Paris Again In 1662 Producing His Ercole Amante At The Louvre Which Was Written In Honour Of The Marriage Of Louis XIV. He Died In Venice At The Age Of 73. Cavalli Was The Most Influential Composer In The Rising Genre Of Public Opera In Mid-17th Century Venice. Unlike Monteverdi's Early Operas Scored For The Extravagant Court Orchestra Cavalli's Operas Make Use Of A Small Orchestra Of Strings And Basso Continuo To Meet The Limitations Of Public Opera Houses. Cavalli Introduced Melodious Arias Into His Music And Popular Types Into His Libretti. His Operas Have A Remarkably Strong Sense Of Dramatic Effect As Well As A Great Musical Facility And A Grotesque Humour Which Was Characteristic Of Italian Grand Opera Down To The Death Of Alessandro Scarlatti. Cavalli's Operas Provide The Only Example Of A Continuous Musical Development Of A Single Composer In A Single Genre From The Early To The Late 17th Century In Venice — Only A Few Operas By Others E.G. Monteverdi And Antonio Cesti Survive. The Development Is Particularly Interesting To Scholars Because Opera Was Still Quite A New Medium When Cavalli Began Working And Had Matured Into A Popular Public Spectacle By The End Of His Career. Cavalli Wrote Thirty-Three Operas Twenty-Seven Of Which Are Still Extant Being Preserved In The Biblioteca Nazionale Marciana Library Of St Mark At Venice. Copies Of Some Of The Operas Also Exist In Other Locations. In Addition Nine Other Operas Have Been Attributed To Him Though The Music Is Lost And Attribution Impossible To Prove. In Addition To Operas Cavalli Wrote Settings Of The Magnificat In The Grand Venetian Polychoral Style Settings Of The Marian Antiphons Other Sacred Music In A More Conservative Manner Notably A Requiem Mass In Eight Parts SSAATTBB Probably Intended For His Own Funeral And Some Instrumental Music. read less