Joy To The World - Music
Joy To The World by John White
John White
Artist Biography For John White
There Are Many Artists That Go By The Name John White. Four Are Mentioned Below. 1 John White Born In Berlin 5 April 1936 Is An English Composer And Musical Performer. 2 Low-Key Delicate Lullabies Accompanied By Gentle Acoustic Guitar With Softly Sung Lyrics. New Zealander John White Is Ex-Cloudboy And Also Performs In Mëstar. 3 An Obscure Jazz/funk Guitarist Who Released A Self-Titled Album In 1972. 4. Banjo Bluesman John White... When Most People Think Banjo Bluegrass Comes To Mind. Restricting The Instrument To This Relatively Modern Usage Misses A Long Though Mostly Unknown And Unrecorded History Originating With African Slaves In The Caribbean. Longtime Pickens Musician John White Best Known For His Fiddle-Playing In The Yeller Cats Has Gone Back To Roots Of The Banjo For His First Cd Banjo Blues. “Taking The Banjo Back To The Pre-Recording Days ” White Said He Has Developed This Blues Style And Theory Based On What Makes Sense With The Way Early Banjo Players Used The Instrument As Well As How The Early Blues Was Played. This Style Of Blues Banjo Would Also Have Fit The Purpose Of The Early Music To Provide Entertainment And Dancing By The Slaves. He Notes That The African Slaves “revolutionized Rhythm Scales And Notes Everywhere They Went” Playing Music Mostly For Their Own Entertainment. Banjos Were A Prime Instrument In Minstrel Shows Well Before They Became A Staple Of Bluegrass Pickers But Were Almost Completely Replaced By The Guitar When Recordings Started Being Made Of Original Artists In The Rural South. Listening To Both The Banjo Work And Blues Produced By Musiciants In The 1920s-1930s Shows A Surprising Amount Of Talent And Advanced Musicianship According To White. “They Were Amazing ” He Said. “They Weren’t Primitive They Might Have Been Economically Depressed But Not Primitive By Any Stretch.” White Said He Began Experimenting With The Blues-Use After He Purchased A Fretless Banjo. The Fretless Banjo Suits Blues Playing As The Early Players Were Slaves Who Would Have Been Looking For Notes And Scales They Were Familiar With From Their Own Culture - Tones That Would Have Been Difficult To Reproduce On A Modern Fretted Banjos. For The Cd White Plays Much Of It On A “gourd Banjo” Made From A Large Gourd Sliced In Half In The Same Style As The Early Slaves Who Were Looking Re-Create African Instruments. These Banjos Are Available Online And Handmade In Several Places Today. Some Other Songs On Banjo Blues Are Played Using An Early English Banjo Also Fretless -- Again Found By White Online. “The Banjo Has Gone Full-Circle” White Says Of His Playing In An Earlier Style And With The Simple Gourd Design.
For The Album White Plays Both Instrumentals That He Wrote And Covers Of Traditional Blues Songs Such As Wake Up Mama Later Made Famous By An Allman Brothers Cover Statesboro Blues And Crazy About You From Little Walter. Along With The “Why” Gourd And A Victorian Banjo White Uses A Rubbing Gourd A Rain Stick And A Washtub Bass Made In Pickens County By Rocky Collins. In An Odd Blending The Cd Is Mostly Played On Reproductions Of The Earliest Instruments But Was Recorded At White’s Home Directly On Computer. White Is Known Locally As Both A Pickens High Teacher And As The Fiddle Player With The Yeller Cats Since The Mid 1990s. The Yeller Cats Have Recorded Some Material But White Said They Were Never Satisfied With It And It Has Never Been Released. The Yeller Cats Continue To Play At Public Events. A Pickens Native White Started Playing Fiddle With Some Lessons In College. He Learned The Basic Fundamentals And Started “toying With Irish And Celtic Music.” From There He Attended Some Festivals And Got Into “old Timey” Music A Style That Predates Bluegrass Though Many Casual Listeners Will Group Them Together As Bluegrass. Even Though Pickens And The Rest Of The North Georgia Mountains Are Home To A Dwindling Number Of True “old-Timey” Musicians White Said He Didn’t Grow Up With Any Particular Homegrown Influences Listening Mostly To The Commercial Music That Everyone Else Did.
White Said He Had Always Enjoyed The Blues And Much Of The Music On Banjo Blues Comes As A Result Of Him “messing Around” With The Songs He Liked On The Fretless Banjo. “If You’re In The Right Mindset The Sounds Comes Out ” He Said. Although He Has Heard Recordings Of Early Blues Musicians Saying They Learned Certain Songs From Banjo-Playing Elders There Is Little Recorded Music With The Banjo Used For The Blues. But White Said “The Rhythmic Possibilities Of The Banjo Are Infinite.”
49 Similar Tracks:
John White - Release Me John White - Gather At The River John White - Somewhere, Out There John White - Welcome To My World John White - I Can't Help It John White - He Is So Precious To Me John White - Your Cheatin' Heart John White - When The Roll Is Called Up Younder John White - Carry Me Back To Ole Virginia John White - Bridal Chorus Short Version John White - Wedding March Short Version John White - Heartaches By The Number John White - Walk Hand In Hand John White - Please Help Me, I'm Falling John White - Silver Threads And Golden Needles John White - Sweet By And By John White - He'll Have To Go John White - It Is No Secret John White - Amazing Grace John White - When The Roll Is Called Up Yonder John White - Peace In The Valley John White - The Lily Of The Valley John White - Will The Circle Be Unbroken? John White - In The Sweet By And By John White - Peace Like A River John White - The Possum Song a La Spike Jones John White - Always On My Mind John White - I Want A Girl, Just Like The Girl John White - Lord, I'm Coming Home John White - Will There Be Any Stars John White - Little Boy Blue John White - Hey, Good Lookin' John White - Blue Christmas John White - The King's Highway John White - Made In England John White - Unchained Melody John White - Le Miroir The Mirror John White - Back In The Saddle Again John White - The Wreck Of The Old 97 John White - Over The Sunset Mountain John White - When The Grass Grows Over Me John White - I Love You Truly John White - San Antonio Rose John White - Bring It On Home To Me John White - Mio Salmo My Psalm John White - Turn Your Radio On John White - The Wabash Cannonball John White - The Race Is On John White - Anytime
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Biography - John White
There Are Many Artists That Go By The Name John White. Four Are Mentioned Below. 1 John White Born In Berlin 5 April 1936 Is An English Composer And Musical Performer. 2 Low-Key Delicate Lullabies Accompanied By Gentle Acoustic Guitar With Softly Sung Lyrics. New Zealander John White Is Ex-Cloudboy And Also Performs In Mëstar. 3 An Obscure Jazz/funk Guitarist Who Released A Self-Titled Album In 1972. 4. Banjo Bluesman John White... When Most People Think Banjo Bluegrass Comes To Mind. Restricting The Instrument To This Relatively Modern Usage Misses A Long Though Mostly Unknown And Unrecorded History Originating With African Slaves In The Caribbean. Longtime Pickens Musician John White Best Known For His Fiddle-Playing In The Yeller Cats Has Gone Back To Roots Of The Banjo For His First Cd Banjo Blues. “Taking The Banjo Back To The Pre-Recording Days ” White Said He Has Developed This Blues Style And Theory Based On What Makes Sense With The Way Early Banjo Players Used The Instrument As Well As How The Early Blues Was Played. This Style Of Blues Banjo Would Also Have Fit The Purpose Of The Early Music To Provide Entertainment And Dancing By The Slaves. He Notes That The African Slaves “revolutionized Rhythm Scales And Notes Everywhere They Went” Playing Music Mostly For Their Own Entertainment. Banjos Were A Prime Instrument In Minstrel Shows Well Before They Became A Staple Of Bluegrass Pickers But Were Almost Completely Replaced By The Guitar When Recordings Started Being Made Of Original Artists In The Rural South. Listening To Both The Banjo Work And Blues Produced By Musiciants In The 1920s-1930s Shows A Surprising Amount Of Talent And Advanced Musicianship According To White. “They Were Amazing ” He Said. “They Weren’t Primitive They Might Have Been Economically Depressed But Not Primitive By Any Stretch.” White Said He Began Experimenting With The Blues-Use After He Purchased A Fretless Banjo. The Fretless Banjo Suits Blues Playing As The Early Players Were Slaves Who Would Have Been Looking For Notes And Scales They Were Familiar With From Their Own Culture - Tones That Would Have Been Difficult To Reproduce On A Modern Fretted Banjos. For The Cd White Plays Much Of It On A “gourd Banjo” Made From A Large Gourd Sliced In Half In The Same Style As The Early Slaves Who Were Looking Re-Create African Instruments. These Banjos Are Available Online And Handmade In Several Places Today. Some Other Songs On Banjo Blues Are Played Using An Early English Banjo Also Fretless -- Again Found By White Online. “The Banjo Has Gone Full-Circle” White Says Of His Playing In An Earlier Style And With The Simple Gourd Design.
For The Album White Plays Both Instrumentals That He Wrote And Covers Of Traditional Blues Songs Such As Wake Up Mama Later Made Famous By An Allman Brothers Cover Statesboro Blues And Crazy About You From Little Walter. Along With The “Why” Gourd And A Victorian Banjo White Uses A Rubbing Gourd A Rain Stick And A Washtub Bass Made In Pickens County By Rocky Collins. In An Odd Blending The Cd Is Mostly Played On Reproductions Of The Earliest Instruments But Was Recorded At White’s Home Directly On Computer. White Is Known Locally As Both A Pickens High Teacher And As The Fiddle Player With The Yeller Cats Since The Mid 1990s. The Yeller Cats Have Recorded Some Material But White Said They Were Never Satisfied With It And It Has Never Been Released. The Yeller Cats Continue To Play At Public Events. A Pickens Native White Started Playing Fiddle With Some Lessons In College. He Learned The Basic Fundamentals And Started “toying With Irish And Celtic Music.” From There He Attended Some Festivals And Got Into “old Timey” Music A Style That Predates Bluegrass Though Many Casual Listeners Will Group Them Together As Bluegrass. Even Though Pickens And The Rest Of The North Georgia Mountains Are Home To A Dwindling Number Of True “old-Timey” Musicians White Said He Didn’t Grow Up With Any Particular Homegrown Influences Listening Mostly To The Commercial Music That Everyone Else Did.
White Said He Had Always Enjoyed The Blues And Much Of The Music On Banjo Blues Comes As A Result Of Him “messing Around” With The Songs He Liked On The Fretless Banjo. “If You’re In The Right Mindset The Sounds Comes Out ” He Said. Although He Has Heard Recordings Of Early Blues Musicians Saying They Learned Certain Songs From Banjo-Playing Elders There Is Little Recorded Music With The Banjo Used For The Blues. But White Said “The Rhythmic Possibilities Of The Banjo Are Infinite.” read less
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For The Album White Plays Both Instrumentals That He Wrote And Covers Of Traditional Blues Songs Such As Wake Up Mama Later Made Famous By An Allman Brothers Cover Statesboro Blues And Crazy About You From Little Walter. Along With The “Why” Gourd And A Victorian Banjo White Uses A Rubbing Gourd A Rain Stick And A Washtub Bass Made In Pickens County By Rocky Collins. In An Odd Blending The Cd Is Mostly Played On Reproductions Of The Earliest Instruments But Was Recorded At White’s Home Directly On Computer. White Is Known Locally As Both A Pickens High Teacher And As The Fiddle Player With The Yeller Cats Since The Mid 1990s. The Yeller Cats Have Recorded Some Material But White Said They Were Never Satisfied With It And It Has Never Been Released. The Yeller Cats Continue To Play At Public Events. A Pickens Native White Started Playing Fiddle With Some Lessons In College. He Learned The Basic Fundamentals And Started “toying With Irish And Celtic Music.” From There He Attended Some Festivals And Got Into “old Timey” Music A Style That Predates Bluegrass Though Many Casual Listeners Will Group Them Together As Bluegrass. Even Though Pickens And The Rest Of The North Georgia Mountains Are Home To A Dwindling Number Of True “old-Timey” Musicians White Said He Didn’t Grow Up With Any Particular Homegrown Influences Listening Mostly To The Commercial Music That Everyone Else Did.
White Said He Had Always Enjoyed The Blues And Much Of The Music On Banjo Blues Comes As A Result Of Him “messing Around” With The Songs He Liked On The Fretless Banjo. “If You’re In The Right Mindset The Sounds Comes Out ” He Said. Although He Has Heard Recordings Of Early Blues Musicians Saying They Learned Certain Songs From Banjo-Playing Elders There Is Little Recorded Music With The Banjo Used For The Blues. But White Said “The Rhythmic Possibilities Of The Banjo Are Infinite.” read less
16 Similar Artists To John White - Frogtoon Music
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