I Was - Music

Lily & Maria's Sole Mighty Rare Album Is A Strange Oddity All The More So For Its Appearance On A Major Label. As Singers Lily & Maria Sound Very Much Like The Sort Of High-Voiced Virginal Female Vocalists Common In The Early-'60s Folk Revival Like The Only Somewhat Less Slightly Obscure Duo Kathy & Carol Who Recorded Traditional Folk Music For Elektra . But The Material And Production On Lily & Maria Show A Decidedly Psychedelic Late-'60s Influence If Only A Mild Acid Folk One. It Creates The Impression Of A Couple Of Choirgirls Singing Tunes That Are A Cross Between What You'd Hear From A Choir And A Coffeehouse Duo. The Big Difference Is That The Words Are Far More Inscrutable And Enigmatic Than Anything You'd Hear Either A Choir Or Coffeehouse Folkies Singing. The Dreamy Obscurely Poetic Lyrics Are Very Much In The Vibe Of 1968 Psychedelia And The Arrangements Are Usually Eerily Sparse To The Point Of Underproduction To The Extent That It Seems Evident Columbia Didn't Set Aside Much Of A Budget For The Sessions. Yet Acoustic Guitar Is Sometimes Embellished By Tasteful Low-Key Orchestration And Electric Instruments That Add To The Appealing Hushed Never-Never-Land Ambience. While The Feel Is Usually Laid-Back And Pretty There's An Overlay Of Unsettling Mystery Particularly When The Gothic Organ Comes In Like Stumbling Across A Couple Of Self-Sufficient Orphans In A Haunted House. Too It's Not All Quiet Acid Folk Getting Into A Strident Semi-Psychedelic Rocking Mood On Occasion A More Straightforward Uplifting Folk-Rock One On "Aftermath" And A Tinge Of Jazz Torch Singing On "Melt Me." If You're Looking For A Reference Point This Might Appeal To Fans Of The Weird Acid Folk Of Rediscovered Singer/songwriter Linda Perhacs Though Perhacs' Sole Album Came Out After Lily & Maria. read less