Hombre De Mucha Gravedad - Music

Lucia Ronchetti Studied Composition And Computer Music At The Conservatory Of Santa Cecilia In Rome And Took Part In Composition Seminars With Sylvano Bussotti At The Scuola Di Musica Of Fiesole 1981–85 And With Salvatore Sciarrino At The Corsi Internazionali Of Città Di Castello 1988–1989 . She Studied Humanities At The Sapienza University Of Rome Where She Got Her Degree In 1987 Presenting A Dissertation On Bruno Maderna's Orchestral Compositions. In 1991 She Received A Diplôme D'Études Approfondies D.E.A. In Aesthetics From The University Of Paris I-Sorbonne. She Subsequently Studied Musicology With François Lesure At The École Pratique Des Hautes Études En Sorbonne And Received A Doctorate With Her Thesis On The Orchestral Style Of Ernest Chausson And Wagnerian Influence On Late 19th Century French Orchestral Writing. In Paris She Participated In Composition Seminars With Gérard Grisey 1993–1996 And Took Part In The Annual Computer Music Courses At IRCAM 1997 Under The Supervision Of Tristan Murail. In 2005 She Was A Visiting Scholar Fulbright Fellow At The Music Department Of Columbia University New York Having Been Invited By Tristan Murail1.
Her Works Have Been Published By Rai Trade Durand Ricordi And Lemoine And Produced Commissioned And Performed By Such Institutions As The Bayerische Staatsoper Munich Konzerthaus Berlin Rai Radio Tre Rome Deutschland Radio Kultur Berlin Ensemble Modern Frankfurt MaerzMusik Berlin Musik Der Jahrhunderte Stuttgart Deutschland Radio Berlin Ensemble Recherche Freiburg Festival Ultrashall Berlin Orchestra Of The Rai Turin WDR Sinfonieorchester Cologne Teatro La Fenice Venice Wittener Tagen Witten G. R. M. Radio France Paris And The Munich Biennale. Starting In 1998 She Realized Various Productions At The Berlin Institute Of Technology TUB In Collaboration With Folkmar Hein. In 2003 She Started Working At The Experimentalstudio Of Freiburg Where She Wrote A Cycle Of Compositions That Explore The Sound Configuration Of The Viola With The Assistance Of André Richard Reinhold Braig And Joachim Haas And In Collaboration With The Violist Barbara Maurer It Was Presented In Berlin Festival Ultrashall 2007 And Is Called “Xylocopa Violacea” CD Stradivarius 2010 2.
In The Last Few Years Lucia Ronchetti Has Been Working On The Compositional Treatment Of The Voice Collaborating Intensively With The Neue Vocalsolisten Of Stuttgart One Of The Foremost European Ensembles Specializing In Contemporary Vocal Music3. Their Collaboration Has Resulted In Eight Different Productions Studio Detto Dei Venti For Four Voices 2010 Le Voyage D’Urien For Voices And Ensemble 2008 Hamlet’s Mill For Voices Viola And Cello 2007 Coins And Crosses For Six Voices 2007 Pinocchio Una Storia Parallela For Four Male Voices 2005 Last Desire Chamber Opera For Treble Voice Countertenor And Bass 20034 5 Hombre De Mucha Gravedad For Four Voices And String Quartet 2002 Anatra Al Sal Comedia Harmonica For Six Voices 2000 CD Kairos 2010 .
She Has Realized Numerous Music Theatre Projects Inspired By The Social Scene6 Exploring In The Dramaturgy The Concept Of Otherness BendelSchlemihl Strasse-Opern 2000 Text By Ivan Vladislavic Outsider Groups And Dysptopia Narrenschiffe In-Transit Action 2010 Text After Sebastian Brant 7 Limen/border Der Sonne Entgegen Chamber Opera 2009 Text By Steffi Hansel 8 Transitory Mental Illness Le Voyage D’Urien Drammaturgia Text After Gide And 19th Century Psychiatric Reportages 2008 Sub-Urbanity Rumori Da Monumenti Drammaturgia Text By Ivan Vladislavic 2007 And Sebenza E-Mine Radio Play In Collaboration With Philip Miller 2010 .
For Her Music Theatre Projects She Has Collaborated With Writers Ermanno Cavazzoni Ivan Vladislavic Eugene Ostashevsky Artists Toti Scialoja Alberto Sorbelli Judith Cahen Dörte Meyer Adrian Tranquilli Elisabetta Benassi Mirella Weingarten And Sound Designers Marie-Hélène Serra Folkmar Hein André Richard Reinhold Braig Carl Faia Olivier Pasquet And Thomas Seelig. read less