Passacaglio Ciacona - Music
Passacaglio Ciacona by Maurizio Cazzati
Maurizio Cazzati
Artist Biography For Maurizio Cazzati
Maurizio Cazzati March 1616 – 28 September 1678 Was A Northern Italian Composer Of The Seventeenth Century. Cazzati Was Born In Luzzara Duchy Of Mantua.
In Spite Of Being Almost Unknown Today During His Lifetime He Served As A Successful Music Director In Many Cities Near His Birthplace Including Mantua Bozzolo Ferrara And Bergamo.
He Was So Well-Thought-Of That In 1657 He Was Invited To Take The Position Of Maestro Di Cappella In S. Petronio In Bologna Without Needing To Apply For It. Immediately After His Appointment He Made Some Radical Reforms That Won Him A General Hostility From The Musical Community And Led To Personal Conflicts With Other Members Of The Cappella. In Particular He Was Bitterly Criticized By Lorenzo Perti And Giulio Cesare Arresti Who Questioned His Capability As Maestro.
Likely As Cazzati Later Declared They Were Just Jealous Of His Position.
In 1671 He Left This Position And Returned To Mantua Where He Served The Duchess Isabella As Maestro Di Cappella Da Camera Until His Death.
While Being Only A Small Portion Of His Enormous Printed Output 66 Printed Volumes His Instrumental Music Is Nowadays Considered The Most Important And Influential Part.
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Biography - Maurizio Cazzati
Maurizio Cazzati March 1616 – 28 September 1678 Was A Northern Italian Composer Of The Seventeenth Century. Cazzati Was Born In Luzzara Duchy Of Mantua.
In Spite Of Being Almost Unknown Today During His Lifetime He Served As A Successful Music Director In Many Cities Near His Birthplace Including Mantua Bozzolo Ferrara And Bergamo.
He Was So Well-Thought-Of That In 1657 He Was Invited To Take The Position Of Maestro Di Cappella In S. Petronio In Bologna Without Needing To Apply For It. Immediately After His Appointment He Made Some Radical Reforms That Won Him A General Hostility From The Musical Community And Led To Personal Conflicts With Other Members Of The Cappella. In Particular He Was Bitterly Criticized By Lorenzo Perti And Giulio Cesare Arresti Who Questioned His Capability As Maestro.
Likely As Cazzati Later Declared They Were Just Jealous Of His Position.
In 1671 He Left This Position And Returned To Mantua Where He Served The Duchess Isabella As Maestro Di Cappella Da Camera Until His Death.
While Being Only A Small Portion Of His Enormous Printed Output 66 Printed Volumes His Instrumental Music Is Nowadays Considered The Most Important And Influential Part. read less
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In Spite Of Being Almost Unknown Today During His Lifetime He Served As A Successful Music Director In Many Cities Near His Birthplace Including Mantua Bozzolo Ferrara And Bergamo.
He Was So Well-Thought-Of That In 1657 He Was Invited To Take The Position Of Maestro Di Cappella In S. Petronio In Bologna Without Needing To Apply For It. Immediately After His Appointment He Made Some Radical Reforms That Won Him A General Hostility From The Musical Community And Led To Personal Conflicts With Other Members Of The Cappella. In Particular He Was Bitterly Criticized By Lorenzo Perti And Giulio Cesare Arresti Who Questioned His Capability As Maestro.
Likely As Cazzati Later Declared They Were Just Jealous Of His Position.
In 1671 He Left This Position And Returned To Mantua Where He Served The Duchess Isabella As Maestro Di Cappella Da Camera Until His Death.
While Being Only A Small Portion Of His Enormous Printed Output 66 Printed Volumes His Instrumental Music Is Nowadays Considered The Most Important And Influential Part. read less
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