Frogtoon Music

Tempi Moderni by Milva

Artist Biography For Milva

Milva Real Name Maria Ilva Biolcati July 17 1939 - April 23 2021 Was An Italian Singer Actress And TV Personality. She Is Also Known As The Red Due To The Coulour Of Her Hair Or As The Goro Panther Which Stems From A Journalist Naming The 3 Most Talented Italian Female Singers Of The 1970s With The Birth Place Plus An Animal Name The Other Two More Are The Cremona Tiger And The Ligonchio Eagle . She Was Born In Goro Province Of Ferrara. In 1959 Milva Won A Contest For New Voices And Was Named The Overall Winner From More Than Seven Thousand Participants. In 1960 She Recorded Her First 7" Single With Cetra Records Édith Piaf's Song "Milord". Her Real Debut Was On The Stage Of The Sanremo Music Festival In 1961 Where She Took Third Place. She Competed Many Times At The Festival 14 Times In Total The Last Time In 1993 . The Highest Position She Has Reached Is Second Place In 1962 But She Has Never Won To Date. In 1965 A Fortunate Meeting Led To A Definitiive Change In Her Career Italo-German Actor Dramatist And Director Giorgo Strehler Helped To Develop Her Skills In Staging And Singing In Italian Theatres Especially The Piccolo Teatro In Milan And She Began To Perform A More Committed Repertoire Songs Of Italian Resistance Movement Songs From Bertold Brecht's Pieces Etc. . In The Following Years She Alternated Success In Singing Especially In Germany Where She Won Platinum And Gold Records For Top Sales And Success In Theatre Where A Remarkable 1973 Edition Of The Threepenny Opera Met With Success All Over Europe. In 1962 Milva Was The First Singer To Successfully Sing Édith Piaf's Repertoire At The Prestigious Olympia Theatre In Paris. In 1983 She Performed Again And Again Received A Real Ovation By The Public And The French Press Very Surprised How A Non-French Artist Could Interpret With Such A Feeling And Energy The Songs Of Their Most Beloved French Singer. She Was A Highly Eclectic Artist Performing Everything From Pop Music To Opera With Luciano Berio From Comedy Theatre To Committed Theatre She Is The First Non-German Actress To Achieve A Huge Success In Bertold Brecht Plays Putting In A Shadow The Former Actresses Of The Same Roles TV Shows Al Paradise In 1981 Won The Rose D'Or At The Montreaux Festival And Musicals. She Also Occasionally Appeared In Some Italian Movies Of The 1960s Like The Beautiful Ippolita With Gina Lollobrigida. Her Singing Career Has Become More Complex And Various Year By Year Thanks To The Collaboration With Some Of The Most Talented Composers And Musician In European Scene Ennio Morricone In 1965 Francis Lai In 1973 Mikis Theodorakis In 1978 Was Ich Denke Best Selling Album In Germany Enzo Jannacci In 1980 Vangelis In 1981 And 1986 Franco Battiato In 1982 And 1986. Her Theatre Career Has Also Gone From Success To Success Touring The World's Most Prestigious Theatres With Bertold Brecht's Recitals And Luciano Berio's Operas. She Has Performed In La Scala In Milan In The Deutsche Oper In Berlin In Paris Opera In Royal Albert Hall In London At The Los Angeles Olympic Games At The Edinburgh Festival And Many Others. In 1984 She Performed With Ástor Piazzolla The Show El Tango In The Les Bouffes Du Nort Theatre In Paris. This Was Just The Beginning Of An Important New Collaboration Interpreting The Tangos Of Revolutionary Piazzolla All Over The World. In The 1990s Her Mentor Giorgio Strehler Died. She Temporarily Reduced Her Theatre Activity And Focused On Music Only. She Received New Inspiration Collaborating With Thanos Mikroutsikos James Last And Shinji Tanimura. She Performed Her Tour Number 14 In Japan. In 2004 Her Last CD And Tour Was Dedicated To Set To Music Of The Poetry Of Milan Poetress Alda Merini. She Had A Relationship With Actor Luigi Pistilli The Ending Of Which Contributed To His Suicide. She Had A Daughter Named Martina Born After The Marriage With Maurizio Corgnati In The Early 1960s.

Frogtoon Music - Song Info: Tempi Moderni

The Lyrics Of "Tempi Moderni" By Milva Reflect On The Repetitive Nature Of History And The Enduring Struggles Faced By Individuals In Modern Times. The Song Begins With The Acknowledgment That History Despite Its Variations Tends To Repeat Itself. It Suggests That While Certain Events May End The Underlying Patterns And Themes Remain Consistent. The Verses ""Passerà Non Passerà / La Voglia Di Scappare / Dai Campi Di Sterminio / Che Questa Civiltà Produce" "It Will Pass It Will Not Pass / The Desire To Escape / From The Extermination Camps / That This Civilization Produces" Express A Sense Of Resignation And Frustration Regarding The Desire To Escape From The Oppressive Conditions Created By Modern Society Which Metaphorically Compares To Concentration Camps. The Next Lines Highlights The Relentless And Shameless Exploitation And Oppression That Occurs While People Are Oblivious Or Inactive. Posteriorly The Singer Suggest That There Will Be No Respite From The Struggles And Conflicts Of Life Implying That Both Joys And Sorrows Are Transient And Will Not Endure. She Also Reflects On The Heaviness Of Existence Indicating That Even The Air Feels Burdensome At Times. In The Chorus "Tu Come Mai Non Senti Nostalgia / Di Quando Dormivamo Insieme? / Quando Eravamo Giovani?" "How Come You Don't Feel Nostalgic / When We Slept Together? / When We Were Young?" The Singer Questions Why The Listener Doesn't Feel Nostalgic For Their Shared Past Reminiscing About The Times They Slept Together When They Were Young. In The Next Verses Singed In French Speaks Of Remembering Days Of Anguish When Time Seemed To Stand Still. The Singer Expresses A Desire For Change And Renewal When Feeling Weighed Down By Life's Burdens Suggesting A Willingness To Transform Oneself Physically And Emotionally. Describing A Night Of Surprises And Intimacy But Also Fear And Trepidation Milva Possibly Alludes To The Complexities And Traumas Within Relationships And The Damaging Effects Of Societal Norms And Expectations. The Song Ends With A Repetition Of The Earlier Question Of The Chorus Emphasizing The Theme Of Nostalgia And The Longing For A Simpler Happier Time. Overall "Tempi Moderni" Explores Themes Of Repetition Oppression Nostalgia And The Longing For Escape And Renewal In The Face Of The Challenges Posed By Modern Society.

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