For B.C - Music

Richard "Richie" Beirach Born May 23 1947 Is A Jazz Pianist Born In New York City. He Initially Studied Both Classical And Jazz Before Entering The Berklee College Of Music. In 1972 He Began Working With Stan Getz. He Also Worked With Chet Baker And In The 1990s Worked Well With French Saxophonist Henrik Frisk. He Maintained An Ongoing Musical Partnership With David Liebman From The 1970s To The 90s In Lookout Farm Quest And Many Duos. Richie Beirach's Style Is Influenced By Art Tatum Bill Evans And His Earlier Classical Training. It Is Also Individualistic With Many Touches All Its Own. Several Of His Compositions "Leaving" And "Elm" For Instance Have Found Their Way Into The Jazz Standard Repertoire. Richie Beirach Richard Aron Beirach Was Born On 23 May 1947 In Brooklyn New York City. Having A Sheltered Childhood He Started Playing The Piano At The Age Of 5. From Age 6 To Age 18 Beirach Was Given Lessons By The Pianist Und Composer James Palmieri. “James Palmieri Showed Me Everything That I Know About Music ...He Made Me Understand The Deeper Meaning Of Music.” Palmieri’s Lessons Were Strictly Classic And Until Age 13 Beirach Exclusively Dealt With Classical Music.When At The Age Of 13 He Stayed At A Friend’s Place He Heard Red Garland’s Version Of “Billy Boy“ From Miles Davis’ Album “Milestones” “I Could Hardly Believe It. This Was Exactly What I Was Looking For What I Needed. Until Then I Had Only Had A Classical Musical Education Mozart Beethoven No Improvisation. I Took The Album To My Teacher. He Hated It He Hated It A Lot…”Beirach Realized That He Wanted To Devote Himself To Improvisation And Jazz. He Tried And Got In Touch With Jazz Musicians While Continuing To Take Lessons With Palmieri. In The Middle Of The 1960s Richard Beirach Entered The New York Club Scene Played Innumerable Gigs And Jam Sessions With Among Others Freddie Hubbard And Lee Konitz While At The Same Time Occasionally Working As A Longshoreman At The Docks Of New York.In 1967 He Went To Boston In Order To Study At The Berklee College Of Music Where Keith Jarrett Miroslav Vitous And John Abercrombie Were Enrolled As Well At That Time. But He Only Stayed For One Year And Returned To New York In 1968 Where He Started A Composition Degree With Ludmilla Ulehla At The Manhattan School Of Music From Which He Graduated In 1972 With A “Master Of Music”.
Soon Afterwards He Played In The Band Of Stan Getz Together With Bass Player Dave Holland And Drummer Jack DeJohnette. The Band Largely Went On Worldwide Tours.In 1973 He Joined The Group “Lookout Farm” Of The Saxophone Player Dave Liebman. “Lookout Farm“ Became One Of The Most Outstanding Groups Of The Fusion Movement And The Cooperation Between Beirach And Liebman Beyond The Group Which Broke Up In 1976 Developed To A Close Musical Partnership. Together As A Duo They Recorded “Forgotten Fantasies” “Omerta” And “Chant”". In 1976 The First Album Under Beirach’s Own Name Was Released “Eon” Recorded With Drummer Eliot Zigmund And Bass Player Frank Tusa. For The Label ECM Beirach Worked As A Leader E.G. On The Albums “Eon“ In 1976 “Elm“ In 1979 “Elegy For Bill Evans“ And As A Sideman Respectively For John Abercrombie And George Adams From The Middle Of The 1970s Until The Beginning Of The 1980s. His First Solo Album “Hubris” Was Released In 1977. At That Time He Went On Tour A Lot With Among Others Chet Baker John Scofield And John Abercrombie.
In The 1980s Richie Beirach Focused Increasingly On The Solo Piano And Parallel To That On The Cooperation With David Liebman In Their Duo And In The Band „Quest“ Which They Founded Together In 1981 With Drummers Billy Hart And Al Forster And George Mraz Or Ron McClure On The Bass Respectively. Until Their Break-Up In 1991 The Band Recorded Six Albums “Quest” “Quest 2” “Midpoint Live At The Montmartre” “Natural Selection” “N.Y. Nites Standards” And “Of One Mind” And Went On Tours Throughout Europe Asia And South And North America. Stylistically The Quartet Did Not Set Any Limits And Thus Played Both Standards And Original Compositions With The Same Intensity And Freedom. Beirach Then Devoted Himself Increasingly To Playing Solo. The Album “Live In Tokyo“ 1981 Was Recorded During A Japan Tour. Following Albums Were “Ballads“ And “Ballads 2“ Which Dealt Intensely And In A Contemporary Manner With The Jazz Standard Repertoire. Records Which Are Characterized By Non-Musical Influences From “Waterlilies” Compositions Impressed By The Paintings Of Claude Monet And “Breathing Of Statues” After Texts By Rilke To The Completely Improvised “Self Portraits” “Sunday Songs” And “Live At Maybeck Recital Hall” Were Created At The Beginning Of The 1990s. “Inspiration” Recorded In 1991 As A Member Of The RonMcClure Trio And “Trust” Recorded In 1993 Under His Own Name With Dave Holland And Jack DeJohnette Showed Beirach In A Trio Again. As A Co-Leader And Sideman He Recorded Several Albums With The Trombonist Conrad Herwig E.G. The Duo Record “Intimate Conversation” And With A Bigger Band “The Amulet” And “The Latin Side Of John Coltrane”. Since The Middle Of The 1990s Beirach Has Mostly Worked With Two Different Trios Together With His Musical Fellows George Mraz Bass And Billy Hart Drums Beirach Recorded The Album “The Snow Leopard” In 1996. That Was Followed By “Romantic Rhapsody” And “What Is This Thing Called Love” Which Showed A Fresh View On Standards And Some Own Compositions. “No Borders” 2002 Focuses On Classical Pieces As A Basis For Improvisation And On The Other Hand Also Contains A Completely Composed Original Composition By Beirach “Steel Prayers” A Piece For The Victims Of 9/11. To Take Classical Pieces And Open Them For Improvisation Without Depriving Them Of Their Character Is Also The Basic Principle In The Cooperation With Violinist Gregor Hübner. The Trio With Beirach Hübner And Again George Mraz On The Bass Has Released Three Albums With The Label ACT. “Round About Bartok” “Round About Federico Mompou” And “Round About Monteverdi” Are Each Dedicated To The Respective Composer And Try And Approach Them Via Improvisation. Since 2000 Richie Beirach Lives In Leipzig And Holds A Professorship For Jazz Piano At The Leipzig Conservatory "Felix Mendelssohn-Bartholdy". read less