Frogtoon Music

La Topa Saray by Sjahin During

Artist Biography For Sjahin During

Sjahin During Was Born In Amsterdam In 1972 Of A Turkish Mother And A Dutch Father. He Grew Up In Istanbul Till The Age Of Six. Then His Family Moved Back To The Netherlands To A Small Island In The North Sea Called Texel. His Grandfather Used To Be The Leader Of The Second Violin Section At The Amsterdam Concertgebouw Orkest His Own Father Untill The Present Day Is A Violin Builder. Sjahin Failed His Career With The Violin At The Early Age Of 6 And Decided Never To Pick Up Any Instrument Again. At The Age Of 18 However A Major Change Took Place In His Life When He Discovered The Force And Inner Beauty Of Percussion Music. The Magic World Of Percussion Became His Obsession. As There Was No Drumshop To Be Found In The Nearest 200 Km His Father Invited Sjahin To His Atelier And Sjahin Thus Build His Own Conga's Batá's Djembé And Cajón. After Finishing Highschool Sjahin Immediately Headed For Amsterdam To Meet His First Teachers In The Art Of Percussion. After Dropping In And Out Of Several Schools He Made The Decision To Devote His Life To The Art Of Drumming. In 1996 Sjahin Won A Grant From The Dutch Cultural Ministry And Went For A Period Of A Year And A Half To Havana Cuba To Study Latin And Afro-Cuban Percussion With Various Masters. After Returning To The Netherlands Sjahin Performed With Various Kinds Of Projects And Bands But Soon Chose His Own Path. He Initiated Projects And Founded New Ensembles Such As Yoruba Ilu Bayuba Cante TurQumstances And Tarhana 'nomads In Music'. A Lesson He Learned From Irakere's Master Percussionist Angá Díaz Was To Learn The Tradition Thoroughly But To Let It Speak Into Something New And Truly Of Oneself. After A Period Of 12 Years Of Studying And Performing Afro Cuban Music Latin Jazz Flamenco Oriental Dance Theater & Pop Music Sjahin Felt The Need Of A New Approach. To Be Able To Play And Create A Different Sound Rhythms Contrast And A Different Rythmical Concept He Decided To Go Back To Istanbul And Study The Anatolian & Oriental Rhythms And Instruments Such As Darbuka Bendir And Erbane Daf . Having Studied And Still Studying With Great Masters Sjahin Now Tries To Integrate His New Vocabulary Into A Wider Musical Context And Create His Own Sound And Set Up.

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