Utapanje Sunčeve Svetlosti U Peščanu Memoriju - Music

Three Bands With This Name 1. A Largely Instrumental Jazz-Rock/progressive Rock Band From Belgrade Serbia The Former Yugoslavia Formed In 1975. The Group Consisted Of Dušan Ćućuz Bass Miroslav Dukić Guitar Slobodan Felekatović Drums And Đorđe Ilijin Keyboards Flute Harmonica . They Recorded Two Albums A Self-Titled Debut In 1978 And U Vreći Za Spavanje In The Sleeping Bag In 1980. TAKO Literally Means "This Way" And The Name Of The Band Symbolises The Basic Principle Of Music Concept.Band Didn't Want Subordinate Own Music To Demands Of The Mass Medias And Wanted It To Express Feelings And Musical Tastes Exactly Like Words "this Way". The Band TAKO Started After Dusan Cucuz..Bass Player Met George Ilijin..Keyboard Flute And Harp In Spring 1975.They Two Already Had Some Compositions Wich Introduced To Each Other. First Line-Up Of TAKO Dusan And George Made With Sava Bojic..Guitar And Milan Lolic..Drums. During 1976 The Guitar Player Had To Join The Army And The Drummer Had Started To Drink Too Much. The New Guitarist Miroslav Dukic - D MIRRO Was Exactly The Right Man For The Group But The Drummer's Post Was More Or Less Vacant Until In 1977 Slobodan Felekatovic Came.The New Members In This Definitive Formation Were New Sources Of Inspiration And The Whole Thing Became More And More Serious.Now Band Has All-Day Long Rehersals With The Fender-Piano Serving As Lunch-Table During The Break.This Line-Up First Appeared At The Concert In The Hall "Pinki" Together With The Most Famous Bands In Town.TAKO Was Completely Different From The Other Bands And Made A Good Impression On Public And Critics.Durring The Year Band Travelled To Gigs Every Weekend With One Old WV-Van.After A Very Good Performance On The "Belgrade Summer Festival" In "Youth Center"TAKO Played In Front Of 100 000 People In Open-Air Concert As A Forerun Of Band "BIJELO DUGME" Who Was At The Peak Of Its Enormous Popularity.After That Band Played As A Forerun On Their Tour In Big Stadiums And Halls In Front Of Thousends Of People. Then Came" BOOM 77" The Big Rock-Festival In NovI Sad November 1977 Band "TAKO" Organizied Together With "S Vremena Na Vreme" The First Quadro-Experiment In Youth Centar In Belgrade. Alt Those Events And The Good Critics Band Got Contributed To Create A Flair Of A Cultband. But For The Record Companies We Still Weren T "comerciall" Enough. Nevertheless TAKO Went On Persistently And Played Our First Solo Concert In The Big Hall Of The SCC Student Cultural Centre In Belgrade - And RTB And RTV Ljubijana Started To Show Interest. Appearance On The Youth Festival In Subotica Brought The First LP-Contract With RTV Ljubijana. The Material For This Album Was Recorded And Mixed In "Studio M" Off Radio Novi Sad In Only 36 Hours. Thanks To The Agility Of The People In RTV Ljubijana The Record Was Released Only Two Weeks After The Recordings Done. TAKO Decided To Celebrate This By Giving A Free Concert On The Kalemegdan The Ancient Belgrade Fortress And That Was Also The Promotion Of The Record. 5.000 People Came And Showed That We Already Had Cut Audience. With This First LP Band Paid More Attention On Radio And TV But Live Appearances Remained TAKO Favorite Field Of Expression. Concerts Were Meant For Those Who Wanted To Hear Something Unusual. One Of The Best Concerts Was The One In "Studio M"in Novi Sad When The Public Stood And Applauded For A Long Tine After The Gig Was Over And The Radio-Station Broadcasted The Whole Event. TAKO Musicians Were Already Well Known To The Public When We Appeared On "BOOM 78". In Spite Of All That Many Of The Critics Were Reserved And Many Just Not Interested In Us Because "Tako" Never Intended To Buy Their Sympathies And Didn T Listen To Their "wellmeant" Advices To Play More Commercial Music. Only The Sincerity Of TAKO Music Counted And That S What The Audience On Concerts Could Feel. The Next Year 1979 Was Quite Bad For Band. TAKO Was In The Middle Of The Preparations For -The Second LP When Djordje Got Ill Of Artritis. He Went To The Hospital And-The Pressure In The Band Grew Stronger. After Some Discrepancies Between MlrosIav-D MIRRO And The Rest Of The Band He Quitted And Formed His Own Group. The Rest Of The Band Tried To Find A Replacement. But It Didn't Last Long And Miroslav-D MIRRO Came Back The Band Was Together Again And New Ideas And Everyday Rehearsals Marked The Next Period. Disappointed With The Complete Approach And The Manners In State Studios Band Decided To Make The Recordings For The Second LP In Enco Lesic A "private" Studio. TAKO Cooperated With Enco And His Engineers Much Better Musicians Given Enough Time And The Whole Atmosphere Was More Pleasant And Relaxed. The Tracks Were First Offered To PGP RTB Who Didn't Wan't. Make The Same Mistake As For First Album Off TAKO And Signed The Contract With Band. LP "U Vreci Za Spavanje" "In The Sleeping Bag" Was Born! However To Finance The Studio Work Band Had To Play During The Whole Summer At The Adriatic Coast. "U Vreci Za Spavanje" "In The Sleeping Bag" Appeared In September 1980. The Promotional Concert Took Place On The 8.9.1980 In Youth Centar In Belgrade. Until The End Off The Year TAKO Gave A Number Of Concerts Appeared On The Radio And Recorded For TV-Emissions. At The Beginning Of 1981 Band Had A Unique Occasion To Take Pert In A Big YU-Rock Action The Bands From Belgrade Gave Concerts In Zagreb And Their Zaqreb Colleagues Returned The Visit .TAKO Had A Remarkable Performance And Got A Very Good Reaction From The Public But Were Almost Ignored From The Critics Who At The Time Turned Their Radars To Punk And New Wave. The General Change Of Style In The YU-Rock Scene As Well As TAKO Drummr's Military Service Were The Reasons For TAKO Musicians To Decide To Give One Last Concert At The Faculty Of Philosophy In Belgrade And To Say Goodbye To The Public. Slobodan Went To The Army Miroslav-D MIRRO Worked As Producer And Recording Engineer Djordje Was Teacher Ethnologist In A Museum And Than Recording Engineer. Dusan Supplied Gigs In Belgrade And Whole Of Yugoslavia With Hes Sound Equipment. Ten Years After We Had Stopped Our Active Work As A Rock-Band Thomas Werner A Collector And Amateur Of The "Seventies" YU-Rock Scene Appeared In Belgrade. He Visited Dusan And Me Miroslav D MIRRO George Was In New York Several Times And After A While Proposed To Reissue Both Of Our Albums On His "Kalemegdan Disk" Label. It Was A Great Chance For TAKO Musicians To Present Their Music.Ten Years Later The Way How TAKO Musicians Always Wanted To Pressed From A Better Matrix And Using The Original Cover Ideas. For That Reason Mlroslav Slobodan And Dusan Accepted Thomas Ideas. Band Allready Had The Second Master-Tape In Their Possession And The First One Was Found In The Archives Of Radio Novi Sad And Had To Be Bought Out With Some "slight" Complications. The Order Of The Songs Was Changed And The First Album Got One More Track "Put Iii Jug"/"Journey To The South" The Second Even Two "Izgubljeno Nista"/"Lost Nothing" And "Horde Mira”"/"Hords Of Peace" . At The End Of May 1992 Thomas Left For Germany With The Complete Material For Both Records. And After This Started One New Not So Art Story............To Be Continued On "D MIRRO Story" .....Http //www.Myspace.Com/takoguitar Http //www.Myspace.Com/dmirro And Http //www.Dmirro.Com. 2. Spanish Rock Band Formed In The Mid-80’s. First Album Was 1985’s Me Acabo De Inventar. Line-Up Mariano Gil Vocals Nacho Jímenez Keyboards Pablo Moreno Guitar Fernando Mainer Bass And Fran Sanz Drums . 3. タコ Japanese Avant-Garde Band Active During The Early To Mid-80's. Almost Unknown Unfortunately They Are Reminiscent Of Wha-Ha-Ha Another Japanese Avant Band Although A Bit More Dissonant. 4. European Record Digger Dj Edit Maker Responsible For Amazing Mixes On Lovefingers And Cbs Among Others Also Releases On Ambassadors. A Hot Totty read less

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TAKO - STORY POSTED: 05/10/15 Godine 1974 pošto su su članovi grupe OPUS otišli svako na svoju stranu,Dušan Ćućuz-Dule je odlučio da osnuje novu grupu sa idejom da se zove TAKO. U periodu u kome je tražio odgovarajuće saradnike za grupu,Dule i bubnjar prve postave grupe TAKO,Milan Lolić su nastupali sa kantautorom Srdjanom Marjanovićem.U istom periodu ,Dule je sreo Djordja Ilijina iz Sremske Mitrovice,studenta Etnologije,koji je imao slično muzičko opredeljenje što je ustanovljeno kroz razmene ideja na zajedničkim probama.Posle kraćeg vremena vežbanja sa Milanom Lolićem i Djordjem Ilijinom Dule poziva gitaristu Savu Bojića koji je u to vreme napustio prvu postavu grupe Pop Mašina.Grupa je u toj postavi napravila tri demo snimka i imala značajan nastup sa više grupa na humanitarnom koncertu u hali Pionir.Tokom 1975. godine u studijima Radio Beograda uradili su prve snimke “Čujem svoje misli”, “Daždevnjak”, “Lena” i “Čudan grad”. Početkom 1976 godine Sava Bojić odlazi u JNA a novi gitarista postao je Miroslav Dukić-D Mirro u to vreme s nadimkom Geza (ex grupa Koren, rođen 1953).Leto 1976. godine proveli su svirajući u Internacionalnom omladinskom centru u Dubrovniku.Posle nekoliko meseci vežbanja i promene nekoliko bubnjara ,dolaskom Slobodana Felekatovića ,nastaje konačna postava grupe TAKO koja je radila sledećih pet godina zajedno i napravila dva LP izdanja. Felekatović se veoma dobro snašao u kompozicijama grupe TAKO te je grupa odmah počela sa nastupima.Budući da su želeli da stvaraju muziku bez kompromisa, baš tako kako osećaju, jednostavan naziv TAKO je dao značenje i njihovom muzičkom opredeljenju. Zbog nekomercijalnosti u početku su se teško probijali na sceni. Sledećih godinu dana grupa je redovno svirala, uz značajan nastup na legendarnom koncertu Bijelog Dugmeta ,28og avgusta 1977 godine,kod Hajdučke česme u Beogradu posle čega je usledila i turneja po stadionima i sportskim halama najvećih gradova Jugoslavije gde se grupa TAKO kao predgrupa Bijelom Dugmetu predstavila širokom auditorijumu od više desetina hiljada ljudi po svakom koncertu. 23.Novembra 1977. godine, sa grupom S vremena na vreme organizovali su kvadro ozvučen koncert u Domu omladine a u istom periodu su imali, od publike dobro prihvaćen nastup na BOOM festivalu rok muzike u hali SPENS u Novom Sadu. Producent PGP RTV Beograd Aleksandar Pilipenko je čekao pravu priliku da grupu ubaci u izdavački program kuće,ali su članovi grupe odlučili da 1978. godine prihvate ponudu produkcije RTV Ljubljana i to posle nastupa na Omladinskom festivalu u Subotici. Album je snimljen za 36 satu u Studiju M u Novom Sadu u ,za takvu vrstu muzike nesretnim okolnostima, jer su za producenta i majstora tona dobili ljude koji nisu imali nikakvog iskustva sa bilo kojim pravcem rok muzike pa je kao rezultat tog spleta okolnosti izasla LP ploca sa daleko losijim zvukom nego sto je grupa imala na nastupima uživo.Na debi albumu “Tako” kao autori su potpisani Ilijin, Ćućuz i Dukić u kompozicijama “Sinteza”, “Utapanje sunčeve svetlosti u peščanu memoriju”, “Probudi se”, “Druga strana mene”.U pretežno instrumentalnim temama, ponudili su svoju viziju progresivne rok muzike sa elementima jazz-a i klasike. Album su promovisali besplatnim koncertom na Kalemegdanu pred nekoliko hiljada ljudi. Tokom 1979 godine Dukić se odvojio u pokušaju da napravi svoju grupu a ostali članovi su nastavili pripreme materijala za drugi album.Saradnja sa drugim gitaristima nije bila uspešna pa su pola godine kasnije nastavili rad u staroj postavi sa gitaristom Miroslavom Dukićem. Drugi album “U vreći za spavanje” izašao je septembra 1980. godine. Ploča je ozbiljnije zamišljena, a svaki član je producirao svoju kompoziciju Po objavljivanju ploče krenuli su na seriju promotivnih koncerata, a nastupali su i u Zagrebu u okviru manifestacije “Pozdrav iz Beograda”. Odlazak bubnjara u vojsku, ali i opšta promena klime u muzici ,izazvana dolaskom novog talasa, razlog je što su prestali sa radom. Oproštajni koncert održali su na beogradskom Filološkom fakultetu marta 1981. godine. Miroslav Dukić-D Mirro je postao studijski muzičar i producent, snimio je veliki broj ploča drugim autorima. Ćućuz je radio na ozvučavanju koncerata. Ilijin je jedno vreme radio kao nastavnik muzičkog a zatim kao etnolog.Snimio je solo ploču “Zabranjeno prisluškivanje” (Suzy 1983.) na kojoj je svirao sve instrumente sem bubnjeva. Taj deo rada obavio je Vladimir Furduj (ex Korni grupa). U periodu do 1989 godine je radio u studiju Aqarijus kao majstor tona i aranzera krajem 1989 se preselio u Njujork gde je radio kao korepetitor u baletskoj skoli u Harlemu ,i bavio se komponovanjem primenjene muzike i produkcijom (film,reklame itd.). Nemački izdavač Tomas Verner (Thomas Werner) je za svoju diskografsku kuću Kalemegdan Disk 1993. godine iybacio na tržište reizdanje na vinilu oba albuma grupe Tako. Odevene u nov, luksuzan omot (rad Istvana Fujhkina ,slikara i dizajnera iz Subotice koji sad zivi i radu i u Torontu), ploče su dobile i muzički dodatak. Na prvom albumu bonus je kompozicija “Put na jug” (Dušan Ćućuz), a na drugom “Izgubljeno ništa” (Dušan Ćućuz) i “Horde mira” (Miroslav Dukic-D Mirro). To su originalni materijali snimljeni u vreme dok su snimani albumi ,ali zbog minutaže nisu se našli na vinil izdanjima. Brazilska diskografska kuća Rock Symphony je 1998. godine napravila CD reizdanje oba albuma grupe TAKO sa bonus trakama koje su nasle mesto i na reizdanjima Kalemegdan Disk-a.. Kalemegdan Disk 1993 godine izdao “Zabranjeno prisluškivanje” LP Djordja Ilijina iz 1983 godine a isti materijal objavio na disku Italijanski Mellow Records 2002 godine.Miroslav Dukić je pod imenom D Mirro ponovo snimio devet odabranih kompozicija iz opusa grupe TAKO i objavio ih na disku “Tako Reloaded” (Art Media Line 2010.). Grupa Bjesovi je na internet izdanju “Svetla, svetlosti” 2015. godine obradila kompoziciju “Probudi se”. Diskografija Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.