Frogtoon Music

Respect Yourself by The Staple Singers

Artist Biography For The Staple Singers

The Staple Singers Were An American Gospel Soul And R&B Singing Group From Chicago Who Signed Their First Professional Contract In 1952. Roebuck "Pops" Staples 1914–2000 The Patriarch Of The Family Formed The Group With His Children Cleotha 1934–2013 Pervis 1935-2021 Yvonne 1937-2018 And Mavis B. 1939 . They Are Best-Remembered For Their 1970s Hits "Respect Yourself" "I'll Take You There" "If You're Ready Come Go With Me " And "Let's Do It Again". In 1999 The Group Was Inducted Into The Rock And Roll Hall Of Fame. In 2005 The Group Was Awarded The Grammy Lifetime Achievement Award. The Family Began Appearing In Chicago-Area Churches In 1948 And Signed Their First Professional Contract In 1952. They Signed With United Records Then Vee-Jay Riverside Epic And Eventually The Black-Owned Indie Stax Records Label Where They Hit Their Most Fertile Commercial Peak. In 1967 On Columbia Subsidiary Epic The Staple Singers First Began Moving Into Mainstream Pop Markets With "Why Am I Treated So Bad " And "For What It's Worth" Written By Stephen Stills . In 1968 The Staple Singers Signed To Stax And Released Two Albums Recorded With Steve Cropper Of Booker T & The MG's Fame - Soul Folk In Action And We'll Get Over. By 1970 Al Bell Had Become Producer And The Family Began Recording At The Famed Muscle Shoals Studio Moving In A More Funk And Soul Direction. The First Stax Hit Was "Heavy Makes You Happy Sha-Na-Boom Boom ". In 1972 The Group Had A No. 1 Hit In The United States With "I'll Take You There." Their 1972 Recording On Stax Of "Respect Yourself " Written By Luther Ingram And Mack Rice Was Number 2 On The R&B Charts And A Top 40 Pop Hit As Well. The Song's Theme Of Self-Empowerment Had Universal Appeal Released In The Period Immediately Following The Intense American Civil Rights Movement Of The 1960s. During This Stax Period They Appeared At A 1972 Summer Concert At The LA Memorial Coliseum Attended By 100 000 People And Documented In The 1973 Film And Soundtrack Album Wattstax. The Staple Singers Then Signed To Curtom Curtis Mayfield's Imprint And Released The Soundtrack To A Comedy Film Co-Starring Bill Cosby Called "Let's Do It Again". The Soundtrack Was Produced By Mayfield And The Title Song Was A Huge Hit In 1975. After This However They Were Not Able To Regain Their Commercial Momentum Releasing Occasional Minor Hits And Moving From Label To Label Including Warner Brothers And 20th Century Before Returning To Epic In The Mid 80s. Lead Singer Mavis Staples Began A Fruitful Solo Career In Earnest That Continues To This Day And Involves Live Performing With Her Sister Yvonne Staples. The Other Daughters In The Group Who Did Not Pursue Solo Careers Were Pervis Staples And Cleotha Staples. In 1994 The Family Made This Final Recording Of A Duet With Mary Stuart Reprising Their Last Watz Style Backing On A Cover Of "The Weight" By The Band Somewhat Re-Establishing An Audience. Pops Staples Died In December 2000. Cleotha Staples Died In Chicago On February 21 2013. Yvonne Staples Died In April 2018 And Pervis Staples In May 2021.

Frogtoon Music - Song Info: Respect Yourself

"Respect Yourself" Is The Name Of A Classic Soul Song By American Rhythm & Blues/gospel Group The Staple Singers. Released In Late 1971 From Their Album Be Altitude Respect Yourself The Song Became A Crossover Hit. The Staple Singers' Version Peaked At #1 On KHJ #12 On The Hot 100 #2 On The Hot Soul Singles Chart And Is One Of The Group's Most Recognizable Hits. Bruce Willis Recorded A Cover Version Of The Song In 1987 Which Peaked At #5 On The Hot 100. In 2002 The Song Was Inducted Into The Grammy Hall Of Fame And In 2010 It Was Ranked #468 On The Rolling Stone List Of The 500 Greatest Songs Of All Time. The Song Was Written By Stax Records Singer Luther Ingram And Stax House Songwriter Mack Rice. Ingram Who Was Frustrated With The State Of The World At The Time Told Rice "black Folk Need To Learn To Respect Themselves." Rice Liked The Comment So Much That He Built A Funk Groove Around It Then Gave The Song To The Staples Who Were Also Signed To Stax. Producer Al Bell Teamed The Group With The Storied Muscle Shoals Rhythm Section Of Muscle Shoals Alabama Musicians Who Laid Down Classic Tracks For Wilson Pickett And Aretha Franklin And With Engineer/musician Terry Manning For Vocals Overdubs And Mixing In Memphis. The Horns Were Overdubbed By Manning After The Vocals Were Recorded And Were Played By The Memphis Horns. The Confrontational Song Had Resonance For A Burgeoning Self-Empowerment Movement For African-Americans During The Post-Civil-Rights-Movement 1970s As Well As Women Demanding More Respect During Those Same Years. The Staple Singers' Long Version Featured Roebuck "Pops" Staples Nearly 57 At The Time On Lead For More Than Two Minutes.

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