Mad Cow Disease - Music
Mad Cow Disease by The Wild Mans Band
The Wild Mans Band
Artist Biography For The Wild Mans Band
Recorded In Copenhagen In 1997 This Quartet Is Truly A Group Of Wild Men. The Three Peters On Reeds Bass And Drums Respectively And Trombonist Johannes Bauer Create A New European Improvisation Music That Is Full Of Humor Rage Abstraction And Even Perversion. Playing Through A Brief Introduction Of Sequence Variations The Disc Really Opens With «Nymphalis Antipoa » A Six-Minute Tonal Study That Features Bauer Exploring The Nether Regions Of His Instrument While Brötzmann Plays Through A Restrained Dark Melody Before Giving Way To A Fragmental Bass Solo By Jørgensen On Electric Bass. Nothing Rises Above A Whisper And No Statement Is Played For More Than A Note Or Three On The Way To Tonal Equity. This Is Short-Lived However As The Entire Record Explodes Into A War-Zone Free For All On «Dead Man’s Camp.» This Is The Kind Of Music One Would Expect From This Bunch And It Never Stops From Here On Out. Brötzmann Is The Gang Leader And His Wailing Skeins Of Cascading Scalar Fury Infect The Rest Of The Band. Bauer Answers His Lines In A Free Kind Of Counterpoint And Then Extends The Broken Harmonic Into A Timbral Circus. Friis Neilsen Is The One Who Is Most On His Own Though As The Short Clipped Basslines Give Him Little To Go On Except For The «texture» Of Rhythm. But On He Goes Digging Deep Into His Cymbals For Ballast And Pushing Forth Great Heaving Sighs Of Tom-Tom Thrumming Atop The Scattered Rim Shots That Punctuate Both Saxophone And Trombone. This Is An Exhaustive And Exhausting Exercise In Free Jazz Tomfoolery Of The Best And Wildest Kind.
50 Similar Tracks:
The Wild Mans Band - Southern Messenger The Wild Mans Band - Nymphalis Antiopa Derek Bailey - Three Derek Bailey - Words 11 Sonny Sharrock - Who Are You Peter Brötzmann - The Fat Is Gone Sonny Sharrock - Portrait Of Linda In Three Colors, All Black Peter Brötzmann - Colours In Action Cecil Taylor - Conquistador Marzette Watts - October Song Marzette Watts - Backdrop For Urban Revolution edit Frode Gjerstad - Shadows And Lights, Part 12 Evan Parker - Out Of The Pocket Sun Ra - Outer Spaceways Inc. Art Ensemble Of Chicago - Mama Wants You Albert Ayler - Ghosts Second Variation Don Cherry - Spring Is Here Paraphrase - Fallback Paraphrase - Eternity Paraphrase - Critical Mass Sam Rivers - Glimpse Marion Brown - Il Ne Chant Pas Art Ensemble Of Chicago - Old Time Southside Street Dance The Thing - Broken Shadows Albert Ayler - Children The Thing - Sounds Like A Sandwich Ben Goldberg - The Horizon Exaggerates The Nearness Of The Horizon Roscoe Mitchell - One Two And Red Blew Marion Brown - Exhibit B Food - Chickpea Food - Tofu Anthony Davis - Suite For Another World Lethe Cecil Taylor - Call Roscoe Mitchell - Hop Hip Bip Bir Rip John Tchicai - Alishan John Tchicai - Kippiology The Vandermark 5 - Happy House Ornette Coleman Frank Wright - Your Prayer Marilyn Crispell - Minstrels Marilyn Crispell - Touching Satoko Fujii - I Know You Don't Know Scorch Trio - Hys Sunny Murray - Suns Of Africa, Part. II Keith Tippett - Dance Keith Tippett - Blues II Mostly Other People Do The Killing - The Shickshinny Shimmy Rova Saxophone Quartet - The Unquestioned Answer Ethnic Heritage Ensemble - Ornette Julius Hemphill - Part VI Vinny Golia Quartet - CBQ241
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Biography - The Wild Mans Band
Recorded In Copenhagen In 1997 This Quartet Is Truly A Group Of Wild Men. The Three Peters On Reeds Bass And Drums Respectively And Trombonist Johannes Bauer Create A New European Improvisation Music That Is Full Of Humor Rage Abstraction And Even Perversion. Playing Through A Brief Introduction Of Sequence Variations The Disc Really Opens With «Nymphalis Antipoa » A Six-Minute Tonal Study That Features Bauer Exploring The Nether Regions Of His Instrument While Brötzmann Plays Through A Restrained Dark Melody Before Giving Way To A Fragmental Bass Solo By Jørgensen On Electric Bass. Nothing Rises Above A Whisper And No Statement Is Played For More Than A Note Or Three On The Way To Tonal Equity. This Is Short-Lived However As The Entire Record Explodes Into A War-Zone Free For All On «Dead Man’s Camp.» This Is The Kind Of Music One Would Expect From This Bunch And It Never Stops From Here On Out. Brötzmann Is The Gang Leader And His Wailing Skeins Of Cascading Scalar Fury Infect The Rest Of The Band. Bauer Answers His Lines In A Free Kind Of Counterpoint And Then Extends The Broken Harmonic Into A Timbral Circus. Friis Neilsen Is The One Who Is Most On His Own Though As The Short Clipped Basslines Give Him Little To Go On Except For The «texture» Of Rhythm. But On He Goes Digging Deep Into His Cymbals For Ballast And Pushing Forth Great Heaving Sighs Of Tom-Tom Thrumming Atop The Scattered Rim Shots That Punctuate Both Saxophone And Trombone. This Is An Exhaustive And Exhausting Exercise In Free Jazz Tomfoolery Of The Best And Wildest Kind.
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