Happy End - Music

Born Antônio José Santana Martins October 11 1936 In Irará Bahia Brazil Zé Is A Representative Of Brazil's Alternative Sound Not Only Because Of His Use Of Objects As Instruments But Also For His Attitudes And For His Eccentric Vivid Style. Influential In The Tropicalia Movement Zé Contributed -- Along With Caetano Veloso Gilberto Gil Gal Costa Os Mutantes And Nara Leão -- To The Watershed Tropicalia Album/manifesto Tropicália Ou Panis Et Circenses. While The Other Major Figures Of Tropicalia Would Go On To Great Commercial And Critical Success In Later Decades Zé Slipped Into Obscurity In The 1970s And 1980s. Remaining True To The Experimental And Dada Impulses Of Tropicalia Zé Has Been Noted For Both His Unorthodox Approach To Melody And Instrumentation Employing Unique Instruments Such As A Typewriter. He Has Collaborated With Many Of The Concrete Poets Of São Paulo Including Augusto De Campos And Employed Concrete Techniques In His Lyrics. Musically His Work Appropriates Samba Bossa Nova Brazilian Folk Music Forró And American Rock And Roll Among Others. He Has Been Praised By Avant-Garde Composers For His Use Of Dissonance Polytonality And Unusual Time Signatures. In The Early 1990s Zé's Work Experienced A Revival When American Musician David Byrne Discovered One Of His Albums Estudando O Samba 1975 On A Visit To Rio De Janeiro. Byrne Went On To Release A Compilation Of Zé's Material As Well As Two Full-Length Albums Of New Songs On His Luaka Bop Label. A Guitar Riff From Zé's Song Jimmy Renda-Se Is Sampled On R&B Singer Amerie's Song Take Control. Quote "I Don't Make Art I Make Spoken And Sung Journalism." read less