Nikos Skalkottas

Nikos Skalkottas Greek Νίκος Σκαλκώτας Was Born On March 8 1904 In Halkis Island Of Eubea Greece . His Great- Grandfather Alexander Skalkottas From Pyrgos Island Of Tinos Was A Renowned Folk Singer Violinist And Composer His Father Alexander Skalkottas Was A Flutist. A Child Prodigy Himself As A Violinist Nikos Pursued His Studies First In His Home Town With His Uncle Costas Later At The Athens Conservatory Graduating With The First Prize Gold Medal In 1920. In 1921 On A Series Of Scholarships He Left For Berlin Where He Stayed Until 1933 First Taking Violin Master Courses With Willy Hess Then In The Winter Of 1923-24 Turning Definitely To Composition For Which His Main Teachers Were Philipp Jarnach 1925-27 And Arnold Schoenberg 1927-31 . Both Teachers Thought Highly Of Him. He Composed Prodigiously In A Personal Atonal Idiom Using The 12-Tone System Rather Seldom And Somewhat Reluctantly At That Time. When The Mounting Wave Of Nazism Made Life For Exponents Of New Music Difficult Skalkottas Returned To Athens In May 1933 The Same Month Schoenberg Left Germany. In Greece Unfortunately Skalkottas Met With A Lot Of Incomprehension And Enmity And Was Obliged To Accept A Position As One Of The Last Violins In The State Orchestra Of Athens. He Isolated Himself Refusing To Talk About Music To All But A Few People Who He Thought Appreciated Contemporary Music All The While Composing Feverishly Until His Death On September 19 1949 In Athens As A Result Of A Neglected Constricted Hernia. Practically His Entire Output Remained Unknown Unpublished And Unperformed During His Lifetime And Was Actually Discovered Only After His Death. In 1935 He Turned To A New Quite Complex But Highly Concise Version Of The Twelve-Tone System Of His Own Invention Which He Used Extensively Until His Death Parallel With Beginning Around 1938 A Non- Serial Method That Sounds Only Slightly Different From The Other Technique. His Main Innovations Consist Of Creating Entirely New Sound Worlds By Developing Formal Structures Operating At Multiple Concurrent Levels And By The Intensity And Directness With Which He Used Harmony Counterpoint Rhythm Articulation Etc. To Serve Maximum Expressive Purposes. In His 25-Year Long Creative Career Skalkottas Composed More Than 170 Works Often Short But Sometimes Of “gigantic” Dimensions And Of Remarkable Sophistication And Complexity. Manuscripts For Over 110 Works Are Gathered At The Skalkottas Archives In Athens Representing More Than 80% Of His Work Since The Missing Ones Are Generally Quite Short . read less