Dead Western plays the type of music that makes genres obsolete. It is not that DW does the cross genre pollination clusterbarf, but that Troy Mighty’s sounds exist outside of any one (or two or five) genres. Perhaps, just perhaps the music recalls the mellow, introspective side of Current 93 or the druggy downer folkishness of The Legendary Pink Dots but that is stretching things as much as claiming that Troy’s voice is a melted version of Bing Crosby.
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Dead Western plays the type of music that makes genres obsolete. It is not that DW does the cross genre pollination clusterbarf, but that Troy Mighty’s sounds exist outside of any one (or two or five) genres. Perhaps, just perhaps the music recalls the mellow, introspective side of Current 93 or the druggy downer folkishness of The Legendary Pink Dots but that is stretching things as much as claiming that Troy’s voice is a melted version of Bing Crosby. Yes, there are elements of downerism and croonerdom in Dead Western, but DW goes deeper than weird and depressing. There is something beautiful in this bizarre world.
