Park Jiha (Korean: 박지하) is among a rising tide of new Korean artists have staked a place in the global music conversation. Groups like Jambinai, Black String and Park Jiha’s earlier duo 숨(su:m) (see 숨+%5Bsu:m%5D) have created exciting sound worlds that deftly combine the instrumentation and complex expression of Korean traditional music with an array of contemporary sounds such as post-rock, doom metal, downtempo jazz and classical minimalism. While Park Jiha’s most recent musical endeavour, her 2018 debut solo album Communion, is another decisive step towards a more personal and forward-looking musical vocabulary, it also is deeply rooted in her traditional music education and background. “I play a traditional Korean instrument called piri which is like an oboe. Piri is a double reed bamboo flute so it can be quite loud. Another traditional instrument I use is a saenghwang. A saenghwang is an instrument made of bamboo which has many pipes. It is similar to a mouth organ. It’s an instrument where the sound is made from inhaling and exhaling the air.” Though she has played piri since her youth, Park Jiha started her music career by founding the duo 숨(suːm) with Jungmin Seo in 2007 - after she had finished her musical studies. 숨(suːm)’s music, composed with an array of traditional instruments and buoyed by unorthodox musical structures, was an immediate and profound influence on the new Korean music scene. The duo released the album ‘Rhythmic Space: A Pause for Breath’ in 2010, and ‘숨(suːm) 2nd’ in 2014. Their innovative, neo-traditional compositions began to echo outside of Korea and they were invited to acclaimed international festivals such as WOMAD and SXSW.