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Om Sass
Inspired by fashion-conscious yet pretentious post-hardcore bands like Nation of Ulysses and the mid-90s Spock Rock scene in San Diego, several bands in the late 90s and early 2000s started writing songs with handclaps and vaguely danceable beats, while maintaining a spastic edge. There were lisping vocals shouting incredibly erotic lyrics over chaotic guitar runs and keyboards. There was flamboyant, homoerotic clothing and behavior, meant to challenge
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Inspired by fashion-conscious yet pretentious post-hardcore bands like Nation of Ulysses and the mid-90s Spock Rock scene in San Diego, several bands in the late 90s and early 2000s started writing songs with handclaps and vaguely danceable beats, while maintaining a spastic edge. There were lisping vocals shouting incredibly erotic lyrics over chaotic guitar runs and keyboards. There was flamboyant, homoerotic clothing and behavior, meant to challenge tough-guy hardcore’s oppressive heteronormativity as well as the PC crowd’s stifling lack of ability to have fun. There were bands like the Blood Brothers, the Red Light Sting, Black Cat 13, and An Albatross.
