Judith Shatin is a composer and sound artist whose musical practice engages our social, cultural, and physical environments. She draws on expanded instrumental palettes and a cornucopia of the sounding world, from machines in a deep coal mine, to the calls of animals, the shuttle of a wooden loom, a lawnmower racing up a lawn. Timbral exploration and dynamic narrative design are fundamental to her compositional design, while collaboration with musicians, artists and communities are central to he...
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Judith Shatin is a composer and sound artist whose musical practice engages our social, cultural, and physical environments. She draws on expanded instrumental palettes and a cornucopia of the sounding world, from machines in a deep coal mine, to the calls of animals, the shuttle of a wooden loom, a lawnmower racing up a lawn. Timbral exploration and dynamic narrative design are fundamental to her compositional design, while collaboration with musicians, artists and communities are central to her musical life. Shatin’s music has been commissioned by organizations including the Barlow and Fromm Foundations, the McKim Fund of the Library of Congress, the Lila Wallace-Readers Digest Arts Partners Program, Music-at-LaGesse Foundation, the National Endowment for the Arts and the Virginia State Arts Council. It has been featured at festivals including the Aspen, BAM Next Wave, Grand Teton, Havana in Spring, Moscow Autumn, Network for New Music, Seal Bay, Ukraine, Soundways (St. Petersburg) and West Cork, while orchestras that have presented her music include the Chesapeake, Denver, Houston, Illinois, Knoxville, National, Minnesota and Richmond Symphonies. Shatin has held residencies at Bellagio (Italy), Brahmshaus (Germany), Stiftung Dr. Robert und Lina Thyll-Dürr, Casa Zia Lina (Italy), La Cité des Arts (France), Mishkan Amanim (Israel) and in the US at MacDowell, the Virginia Center for the Creative Arts, and Yaddo. Educated at Douglass College (AB, Phi Beta Kappa), The Juilliard School (MM) and Princeton University (PhD), Judith Shatin is William R. Kenan, Jr. Professor and is Founder and Director of the Virginia Center for Computer Music. She has been honored with four National Endowment for the Arts Fellowships, as well as awards from the American Music Center, Meet the Composer, the New Jersey State Arts Council and the Virginia Commission for the Arts. She also been awarded four National Endowment for the Arts Fellowships. A two-year retrospective of her music, and the commission for her evening-length folk oratorio, COAL, was sponsored by the Lila Wallace-Readers Digest Arts Partners Program. Shatin’s music is published by Arsis Press, C.F. Peters, Colla Voce, E.C. Schirmer, Hal Leonard and Wendigo Music. It can be heard on the Centaur, Innova, Neuma, New World, Ravello and Sonora labels, and is featured in Women of Influence in Contemporary Music, Nine American Composers (Scarecrow Press). Long an advocate for her fellow composers, Judith Shatin has served on the boards of the American Composers Alliance, the League/ISCM, and the International Alliance for Women in Music (IAWM) and served as President of American Women Composers, Inc. (1989-93). In demand as a master teacher, she has been featured at the BMI residency at Vanderbilt University, and as senior composer for the Wellesley Composers Conference, among many others.
