Abeer Nehme (Arabic: عبير نعمة; born 19 May 1980) is a Lebanese singer and a musicologist. She performs traditional Tarab music, Lebanese traditional music, Rahbani music, and sacred music from the Syriac-Maronite, Syriac-Orthodox, and Byzantine traditions. Abeer Nehme has been referred to as "The All Styles Specialist" because of her talent in performing dialogues between different styles of music, such as: Oriental modal traditional styles
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Abeer Nehme (Arabic: عبير نعمة; born 19 May 1980) is a Lebanese singer and a musicologist. She performs traditional Tarab music, Lebanese traditional music, Rahbani music, and sacred music from the Syriac-Maronite, Syriac-Orthodox, and Byzantine traditions. Abeer Nehme has been referred to as "The All Styles Specialist" because of her talent in performing dialogues between different styles of music, such as: Oriental modal traditional styles, Lebanese styles, Syriac-Aramaic religious ethnic style, Greek Byzantine religious style and Opera and modern western styles. Abeer is a Qanun player (an oriental traditional instrument) and earned a bachelor's degree with the highest grade ever earned in oriental singing from the USEK University (Université Saint-Esprit de Kaslik). She was a student of Ms. Aida Chalhoub, director of the oriental music program at USEK. Her renown talent was quickly recognized by the Lebanese, Arab, Greek and Syriac audiences. As a professional in ethnic old music, Abeer interpreted, amongst other interpretations, a complete album of traditional Orthodox Syriac chants (a dialect of Aramaic) with the Syrian National Philharmonic Orchestra under the patronage of the Syriac Patriarch of Antioch, his Holiness Moran Mor Ignatios Zakka Iwas II. As an Oriental modern singer, she played the leading role in various musical plays. Abeer participated as an honored guest amongst major superstars in international festivals throughout the world, and performed as a soloist in several concerts accompanied by various International Philharmonic Orchestras. One of the compositions, "Abirou Salati" (Aroma of my prayer), is a journey through different styles of music; from the old music traditions of the fathers of the church, traditions of prayer and profound spiritualism, to the modernism of the people of God in the twenty-first century, a modernism of grandiosity and majesty. In 2009, she joined Jean-Marie Riachi for the album Belaaks. The song "Belaaks" (on the Contrary) is a duet with Ramy Ayach and is an oriental jazz arrangement of "Quizás, quizás, quizás" in the Lebanese dialect.
