Described as “exhilarating” (The New York Times) and “utterly mesmerizing” (The Guardian), GRAMMY®-nominated ensemble Sandbox Percussion is dedicated to artistry in contemporary chamber music. The ensemble was brought together in 2011 by a love of chamber music and the simple joy of playing together; today, Sandbox Percussion captivates worldwide audiences with visually and aurally stunning performances. Sandbox Percussion’s 2021 album
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Described as “exhilarating” (The New York Times) and “utterly mesmerizing” (The Guardian), GRAMMY®-nominated ensemble Sandbox Percussion is dedicated to artistry in contemporary chamber music. The ensemble was brought together in 2011 by a love of chamber music and the simple joy of playing together; today, Sandbox Percussion captivates worldwide audiences with visually and aurally stunning performances. Sandbox Percussion’s 2021 album Seven Pillars was nominated for two GRAMMY® awards — Best Chamber Music/Small Ensemble Performance and Best Contemporary Classical Composition. The ensemble performed the piece more than 15 times throughout the United States and Europe last season, including at the Théâtre du Châtelet, in Paris. In the 2023-24 season, Sandbox Percussion performs Seven Pillars at the VIVO Music Festival (Columbus, OH); the New School (New York); Aperio, Music of the Americas (Houston); the Frost School of Music (Miami); Brown University (Providence, RI); and the Peace Center (Greenville, SC), among other venues. This season, Sandbox Percussion also releases their fourth album, Wilderness, featuring the piece of the same name by experimental composer Jerome Begin. Other season highlights include two performances at the Park Avenue Armory (New York), featuring premieres by Chris Cerrone and Viet Cuong; a performance at the 92nd Street Y with pianist and new-music champion Conor Hanick featuring the New York premiere of two works composed for them by Christopher Cerrone and by Tyshawn Sorey; and an appearance at the Chamber Music Society of Lincoln Center. Sandbox Percussion will also continue to champion Viet Cuong’s acclaimed concerto for percussion quartet, Re(new)al, including performances with the Des Moines Symphony and with the Albany Symphony, which commissioned the piece. Besides maintaining an international performance schedule, Sandbox Percussion holds the position of ensemble-in-residence and percussion faculty at the University of Missouri-Kansas City and The New School’s College of Performing Arts. In 2016, Sandbox Percussion founded the Sandbox Percussion Seminar, introducing percussion students to the leading percussion chamber music of the day. Sandbox Percussion endorses Pearl/Adams musical instruments, Zildjian cymbals, Vic Firth sticks and mallets, Remo drumheads, and Black Swamp accessories.
